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itter," "sour," "sharp," referring originally only to immediate physical experiences, to objects perceived through the senses, come to have intellectual and emotional significance, as when we speak of a "sour" face, a "bitter" disappointment, a "sharp" struggle. Most of our words that now have abstract emotional or intellectual connotations were once words referring exclusively to purely sensible (sense perceptual) experiences. "Anxiety" once meant literally a "narrow place," just as when we speak of some one having "a close shave." To "refute" once meant literally "to knock out" an argument. To "understand" meant "to stand in the midst of." To "confer" meant "to bring together." Sensation words themselves were once still more concrete in their meaning. "Violet" and "orange" are obviously taken as color names from the specific objects to which they still refer. Language has well been described as "a book of faded metaphors." The history of language has been to a large extent the assimilation and habitual mechanical use of words that were, when first used, strikingly figurative. The novel use of a word that is now a quite regular part of the language may in many cases first be ascribed to a distinguished writer. Shakespeare is full of expressions which have since, and because of his use of them, become literally household words. Many words that have now a general application arose out of a peculiar local situation, myth, or name. "Boycott" which has become a reasonably intelligible and universal word, only less than fifty years ago referred particularly and exclusively to Boycott, a certain unpopular Irish landowner who was subjected to the kind of discrimination for which the word has come to stand. "Burke" used as a verb has its origin in the name of a notorious Edinburgh murderer. Characters in fiction or drama, history or legend come to be standard words. Everyone knows what we mean when we speak of a Quixotic action, a Don Juan, a Galahad, a Chesterfield. To tantalize arises from the mythical perpetual frustration of Tantalus in the Greek story. Expressions that had a special meaning in the works of a philosopher or litterateur come to be generally used, as "Platonic love."[1] Again words that arise as mere popular witticisms or vulgarisms may be brought into the language as permanent acquisitions. "Mob," now a quite legitimate word, was originally a shortening of _mobile vulgum_, and was, only a hundred yea
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