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us; still we are more and more bothered by the insular dialect. I do not propose to criticise it; it is our misfortune, perhaps our fault, that we do not understand it; and I only refer to it to say that we should not be too hard on the Saturday Review critic when he is complaining of the American dialect in the English that Mr. Howells writes. How can the Englishman be expected to come into sympathy with the fiction that has New England for its subject--from Hawthorne's down to that of our present novelists--when he is ignorant of the whole background on which it is cast; when all the social conditions are an enigma to him; when, if he has, historically, some conception of Puritan society, he cannot have a glimmer of comprehension of the subtle modifications and changes it has undergone in a century? When he visits America and sees it, it is a puzzle to him. How, then, can he be expected to comprehend it when it is depicted to the life in books? No, we must expect a continual divergence in our literatures. And it is best that there should be. There can be no development of a nation's literature worth anything that is not on its own lines, out of its own native materials. We must not expect that the English will understand that literature that expresses our national life, character, conditions, any better than they understand that of the French or of the Germans. And, on our part, the day has come when we receive their literary efforts with the same respectful desire to be pleased with them that we have to like their dress and their speech. End of the Project Gutenberg EBook of England, by Charles Dudley Warner *** END OF THIS PROJECT GUTENBERG EBOOK ENGLAND *** ***** This file should be named 3122.txt or 3122.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/3/1/2/3122/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project G
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