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South Pacific air war in the '40s. One-man escorting fighter planes in several cases slipped out of bomber formations they were following at night and splashed. One of the explanations at their hearings, but never investigated thoroughly, was hypnosis from the single red taillight of the bombers. In one outfit, the losses stopped when the fighters flew up front." "Not only sharp, but good-looking, too," Grant admired, and began chewing on the other half of his French bread. Then he ceased masticating and mouthed anxiously, "You've told the general this?" Bridget clapped her hands. "With exquisite pleasure." "And he--?" "... Got excited, phoned for engineering to remove navigational sights and suggested I join the staff at the base." Grant coughed on the bread and hurriedly reached for his water. "He wants you around?" "Gratitude, I guess, in his own brassy way." "And you'll stay?" "If Washington O.K.'s it, and I'm coaxed." "Then that simplifies the matter," he said and brought out the daintily wrapped tiny gift box. "For you." Her eyes warmed and smiled as she said, "That's the kind of coaxing a woman wants." Grant fumed, "Then you know what it is? Extrasensory perception or something psychological?" Their hands met across the table and lingered. "Purely an emotional response," said Bridget. THE END [Illustration] Transcriber's Note: This etext was produced from _Astounding Science Fiction_ March 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of A Fine Fix, by R. C. Noll *** END OF THIS PROJECT GUTENBERG EBOOK A FINE FIX *** ***** This file should be named 27696.txt or 27696.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/6/9/27696/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in
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