eal to the jury in behalf of Guthrie._
So I appeal from the men in silken hose who danced to music made
by slaves and called it freedom, from the men in bell-crown hats
who led Hester Prynne to her shame and called it religion, to
that Americanism which reaches forth its arms to smite wrong
with reason and truth, secure in the power of both. I appeal
from the patriarchs of New England to the poets of New England;
from Endicott to Lowell; from Winthrop to Longfellow; from
Norton to Holmes; and I appeal in the name and by the rights of
that common citizenship--of that common origin, back of both the
Puritan and the Cavalier, to which all of us owe our being. Let
the dead past, consecrated by the blood of its martyrs, not by
its savage hatreds, darkened alike by kingcraft and
priestcraft--let the dead past bury its dead. Let the present
and the future ring with the song of the singers. Blessed be the
lessons they teach, the laws they make. Blessed be the eye to
see, the light to reveal. Blessed be tolerance, sitting ever on
the right hand of God to guide the way with loving word, as
blessed be all that brings us nearer the goal of true religion,
true republicanism, and true patriotism, distrust of watchwords
and labels, shams and heroes, belief in our country and
ourselves. It was not Cotton Mather, but John Greenleaf
Whittier, who cried:
Dear God and Father of us all,
Forgive our faith in cruel lies,
Forgive the blindness that denies.
Cast down our idols--overturn
Our Bloody altars--make us see
Thyself in Thy humanity!
--HENRY WATTERSON, _Puritan and Cavalier_.
Goethe, on being reproached for not having written war songs against
the French, replied, "In my poetry I have never shammed. How could I
have written songs of hate without hatred?" Neither is it possible
to plead with full efficiency for a cause for which you do not feel
deeply. Feeling is contagious as belief is contagious. The speaker
who pleads with real feeling for his own convictions will instill
his feelings into his listeners. Sincerity, force, enthusiasm, and
above all, feeling--these are the qualities that move multitudes
and make appeals irresistible. They are of far greater importance
than technical principles of delivery, grace of gesture, or polished
enunciation--important as all these elements must doubtless be
considere
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