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yellow veil or handkerchief as a public badge of their profession, Tullia appealed to the Duchess, a Spanish lady of high character, and received permission to dispense with this badge on account of her "rara scienzia di poesia et filosofia." She dedicated her _Rime_ to the Duchess. Tullia D'Aragona was very beautiful, with yellow hair, and remarkably large and bright eyes, which dominated those who came near her. She was of proud bearing and inspired unusual respect (G. Biagi, "Un' Etera Romana," _Nuova Antologia_, vol. iv, 1886, pp. 655-711; S. Bongi, _Rivista critica della Letteratura Italiana_, 1886, IV, p. 186). Tullia D'Aragona was clearly not a courtesan at heart. Perhaps the most typical example of the Renaissance courtesan at her best is furnished by Veronica Franco, born in 1546 at Venice, of middle class family and in early life married to a doctor. Of her also it has been said that, while by profession a prostitute, she was by inclination a poet. But she appears to have been well content with her profession, and never ashamed of it. Her life and character have been studied by Arturo Graf, and more slightly in a little book by Tassini. She was highly cultured, and knew several languages; she also sang well and played on many instruments. In one of her letters she advises a youth who was madly in love with her that if he wishes to obtain her favors he must leave off importuning her and devote himself tranquilly to study. "You know well," she adds, "that all those who claim to be able to gain my love, and who are extremely dear to me, are strenuous in studious discipline.... If my fortune allowed it I would spend all my time quietly in the academies of virtuous men." The Diotimas and Aspasias of antiquity, as Graf comments, would not have demanded so much of their lovers. In her poems it is possible to trace some of her love histories, and she often shows herself torn by jealousy at the thought that perhaps another woman may approach her beloved. Once she fell in love with an ecclesiastic, possibly a bishop, with whom she had no relationships, and after a long absence, which healed her love, she and he became sincere friends. Once she was visited by Henry III of France, who took away her portrait, while on her part she promised to dedicate a book to him; she so
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