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job! You must bid each other a hearty good-by!" Musya and Tsiganok moved forward. Musya walked cautiously, slipping, and by force of habit raising her skirts slightly. And the man led her to death firmly, holding her arm carefully and feeling the ground with his foot. The lights stopped moving. It was quiet and lonely around Tanya Kovalchuk. The soldiers were silent, all gray in the soft, colorless light of daybreak. "I am alone," sighed Tanya Kovalchuk suddenly. "Seryozha is dead, Werner is dead--and Vasya, too. I am alone! Soldiers! soldiers! I am alone, alone--" The sun was rising over the sea. The bodies were placed in a box. Then they were taken away. With stretched necks, with bulging eyes, with blue, swollen tongues, looking like some unknown, terrible flowers between the lips, which were covered with bloody foam--the bodies were hurried back along the same road by which they had come--alive. And the spring snow was just as soft and fresh; the spring air was just as strong and fragrant. And on the snow lay Sergey's black rubber-shoe, wet, trampled under foot. Thus did men greet the rising sun. THE END End of Project Gutenberg's The Seven who were Hanged, by Leonid Andreyev *** END OF THIS PROJECT GUTENBERG EBOOK THE SEVEN WHO WERE HANGED *** ***** This file should be named 6722.txt or 6722.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/7/2/6722/ Produced by Eric Eldred Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you m
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