following the ornamental forms, or crossing
them.
47. LAID-WORK--The couching crosses the flower forms in straight lines;
and in the eye of the flower where the threads cross, the two are sewn
down at a single stitch. The spiral stems a sort of laid cord. Flower in
blue, sewn with blue and outlined with gold; leaves, a bright fresh
green stitched with olive. Japanese. (V. & A. M.)
48. LAID-WORK. The sewing down of the leaves crosses them in curved
lines which suggest roundness. The stem in gold basket pattern. Part of
a coverlet. Worked upon a cedar-coloured ground chiefly in dark blue and
white, the blue couched with white, the white and other colours couched
with red. Indo-Portuguese. 17th century. (V. & A. M.)
49. LAID-WORK AND SOME SURFACE-STITCH. The stitching which sews down the
floss takes the direction of the scroll, &c., and gives drawing. The
surface work in the stems is done upon a ladder of stitches across. Part
of a chalice veil. Italian. Early 17th century. (V. & A. M.)
50. LAID-WORK SAMPLER--The straight lines of laid floss varied in colour
to suggest shading. The stalk padded, and the pattern made by the
stitching upon it thereby emphasised.
51. BULLION AND COUCHED CORD--A, The somewhat loose design of the border
in bullion shows rather plainly the way it is done. B, The solid discs
of spiral cord are unusual, but most characteristic of the method of
couching. The stitches sewing down the cord are not apparent. Oriental.
(Mrs. L. F. D.)
52. SAMPLER OF COUCHED SILK--The broad central band and the narrow
beaded lines are in floss, and show the effect of sewing it more or less
tightly down. The two intermediate bands are in cord couched with
threads in the direction of its twist, not very easily distinguishable
unless by contrast of colour.
53. COUCHING IN LOOPED THREADS--The effect is not unlike that of
chain-stitch or fine knotting. Rather over actual size. Worked in bright
colours upon a pale green crepe ground. Chinese. (Mrs. L. F. D.)
54. REVERSE COUCHING--Showing on the face of it no sign of couching.
(After the manner of the Syon Cope.)
55. BACK OF REVERSE COUCHING--Showing the parallel lines of couched
linen thread which sew down the silk upon the surface (Illustration 54).
The zigzag pattern of the stitching might equally well have taken other
lines.
56. COUCHED GOLD SAMPLER--A, B, C, D, flat work; E, part flat, part
raised; F, G, H, J, basket and other patterns raised over co
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