he British Museum,
conducted for five years a _New Review_ (1782-86), often called _Maty's
Review_, and dealing principally with learned works. It apparently
enjoyed some authority, but both Walpole and Gibbon spoke unfavorably of
Maty's critical pretensions. _The English Review; or, an Abstract of
English and Foreign Literature_ (1783-96), extended to twenty-eight
volumes modelled upon the plan of the older periodicals. In 1796 it was
incorporated with the _Analytical Review_ (1788) and survived under the
latter title until 1799. The _Analytical Review_ deprecated the
self-sufficient attitude of contemporary criticism and advocated
extensive quotations from the works under consideration so that readers
might be able to judge for themselves. It likewise hinted at the tacit
understanding then existing between certain authors, publishers and
reviews for their mutual advantage, but which was arousing a growing
feeling of distrust on the part of the public. The _British Critic_
(1793-1843) was edited by William Beloe and Robert Nares as the organ of
the High Church Party. This "dull mass of orthodoxy" concerned itself
extensively with literary reviews; but its articles were best known for
their lack of interest and authority. The foibles of the _British
Critic_ were satirized in Bishop Copleston's _Advice to a Young
Reviewer_ (1807) with an appended mock critique of Milton's _L'Allegro_.
In 1826 it was united with the _Quarterly Theological Review_ and
continued until 1843.

_The Anti-Jacobin Review and Magazine; or, Monthly Political and
Literary Censor_ (1799-1821) played a strenuous role in the troublous
times of the Napoleonic wars. It continued the policy of the
_Anti-Jacobin, or Weekly Examiner_ (1797-98) conducted with such marked
vigor by William Gifford, but it numbered among its contributors none of
the brilliant men whose witty verses for the weekly paper are still read
in the popular _Poetry of the Anti-Jacobin_. The _Review_ was conducted
by John Richards Green, better known as John Gifford. Its articles were
at times sensational in character, viciously abusing writers of known or
suspected republican sentiments. From its pages could be culled a new
series of "Beauties of the Anti-Jacobin" which for sheer vituperation
and relentless abuse would be without a rival among such anthologies.

At the beginning of the nineteenth century, the principal reviews in
course of publication were the _Monthly_, the _Critical