g stones of the ruined
edifice shall begin to attest the power of time and the evanescent nature
of all human undertakings, the corner-stone will still remain to tell, by
its inscriptions, and its form, and its beauty, to every passer-by, that
there once existed in that, perhaps then desolate, spot, a building
consecrated to some noble or some sacred purpose by the zeal and
liberality of men who now no longer live.
So, too, do this permanence and durability of the corner-stone, in
contrast with the decay and ruin of the building in whose foundations it
was placed, remind the mason that when this earthly house of his
tabernacle shall have passed away, he has within him a sure foundation of
eternal life--a corner-stone of immortality--an emanation from that Divine
Spirit which pervades all nature, and which, therefore, must survive the
tomb, and rise, triumphant and eternal, above the decaying dust of death
and the grave.[118]
It is in this way that the student of masonic symbolism is reminded by the
corner-stone--by its form, its position, and its permanence--of
significant doctrines of duty, and virtue, and religious truth, which it
is the great object of Masonry to teach.
But I have said that the material corner-stone is deposited in its
appropriate place with solemn rites and ceremonies, for which the order
has established a peculiar ritual. These, too, have a beautiful and
significant symbolism, the investigation of which will next attract our
attention.
And here it may be observed, in passing, that the accompaniment of such an
act of consecration to a particular purpose, with solemn rites and
ceremonies, claims our respect, from the prestige that it has of all
antiquity. A learned writer on symbolism makes, on this subject, the
following judicious remarks, which may be quoted as a sufficient defence
of our masonic ceremonies:--
"It has been an opinion, entertained in all past ages, that by the
performance of certain acts, things, places, and persons acquire a
character which they would not have had without such performances. The
reason is plain: certain acts signify firmness of purpose, which, by
consigning the object to the intended use, gives it, in the public
opinion, an accordant character. This is most especially true of things,
places, and persons connected with religion and religious worship. After
the performance of certain acts or rites, they are held to be altogether
different from what they wer
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