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er arranged so as to exhibit a chronological Series of Biblical Interpretation down to the Reformation; with references under each head to authorities or sources of information. On sale by C.J. STEWART, 11. King William Street, West Strand, London. "There is no branch of literature in which classed catalogues are of so much importance as in biblical, and we therefore feel bound to notice a very excellent volume lately issued by Mr. Stewart under the title of 'A Catalogue of Bibles and Biblical Literature.' It is excellently well arranged, and will afford important facilities to those in search of books in particular departments... The preparation of such catalogues is a work of expense and labour, but must be well repaid (?) by the facilities afforded to purchasers."--_Kitte's Journal of Sacred Literature_. "We have much pleasure in recommending to our readers' attention this valuable and well arranged catalogue. Mr. Stewart's collection of works, in all the branches of a theological library, ranks high, both for number and selectness, among the very best in the country."--_Christian Observer_. * * * * * Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, in the Parish of St. Bride, in the City of London; and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186 Fleet Street aforesaid.--Saturday, December 1, 1849. End of the Project Gutenberg EBook of Notes & Queries 1849.12.01, by Various *** END OF THIS PROJECT GUTENBERG EBOOK NOTES & QUERIES 1849.12.01 *** ***** This file should be named 11636.txt or 11636.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/6/3/11636/ Produced by Jonathan Ingram, Joshua Hutchinson and PG Distributed Proofreaders. Produced from page scans provided by Internet Library of Early Journals. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying
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