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Project Gutenberg's Those Extraordinary Twins, by Mark Twain (Samuel Clemens) This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Those Extraordinary Twins Author: Mark Twain (Samuel Clemens) Release Date: April, 2002 [Etext #3185] Last Updated: February 20, 2010 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THOSE EXTRAORDINARY TWINS *** Produced by David Widger THOSE EXTRAORDINARY TWINS by Mark Twain Contents CHAPTER I. THE TWINS AS THEY REALLY WERE CHAPTER II. MA COOPER GETS ALL MIXED UP CHAPTER III. ANGELO IS BLUE CHAPTER IV. SUPERNATURAL CHRONOMETRY CHAPTER V. GUILT AND INNOCENCE FINELY BLENT CHAPTER VI. THE AMAZING DUEL CHAPTER VII. LUIGI DEFIES GALEN CHAPTER VIII. BAPTISM OF THE BETTER HALF CHAPTER IX. THE DRINKLESS DRUNK CHAPTER X. SO THEY HANGED LUIGI FINAL REMARKS. A man who is not born with the novel-writing gift has a troublesome time of it when he tries to build a novel. I know this from experience. He has no clear idea of his story; in fact he has no story. He merely has some people in his mind, and an incident or two, also a locality. He knows these people, he knows the selected locality, and he trusts that he can plunge those people into those incidents with interesting results. So he goes to work. To write a novel? No--that is a thought which comes later; in the beginning he is only proposing to tell a little tale; a very little tale; a six-page tale. But as it is a tale which he is not acquainted with, and can only find out what it is by listening as it goes along telling itself, it is more than apt to go on and on and on till it spreads itself into a book. I know about this, because it has happened to me so many times. And I have noticed another thing: that as the short tale grows into a long tale, the original intention (or motif) is apt to get abolished and find itself superseded by a quite different one. It was so in the case of a magazine sketch which I once started to write--a funny and fantastic sketch about a prince and a pauper; it presently assumed a grave cast of its own accord, and
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