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etor Hispalus. [866] Plutarch, _Marius_, 42. [867] Suet. _Aug._ 1. I have seen a learned work about a century old, now entirely forgotten, in which it is maintained that Virgil's fourth Eclogue is simply a genethliacon of Augustus; the arguments, which are ingenious but futile, are drawn from the poem of Manilius. [868] Tacitus, _Hist._ i. 22. LECTURE XVIII RELIGIOUS FEELING IN THE POEMS OF VIRGIL My justification for devoting a whole lecture to Virgil must be that this great poet, more warmly and sympathetically than any other Latin author, gives expression to the best religious feeling of the Roman mind. And this is so not only in regard to the tendencies of religion in his own day; he stands apart from all his literary contemporaries in that he sums up the past of Roman religious experience, reflects that of his own time, and also looks forward into the future. No other poet, no historian, not even Livy, who sprang from the same region and in his tone and spirit in some ways resembles Virgil, has the same broad outlook, the same tender interest in religious antiquity, the same all-embracing sympathy for the Roman world he knew, and the same confident and cheerful hope for its future. Each of the Augustan poets--Horace, Ovid, Propertius, Tibullus--has his own peculiar gift and charm; but those who know Virgil through and through will at once acknowledge the difference between these and the man possessed of spiritual insight. They are helpful in various ways to the student of Roman religion, and Tibullus especially has a simple reverence for the old religion which has inspired a few exquisite descriptions of this aspect of Italian life. But, if I may use the word, they had no mission; they were true poets, yet not poets of the prophetic order; they had not thought deeply and reached conviction, like Lucretius and Virgil. A few words from the conclusion of an Edinburgh professor's admirable work on Virgil will sufficiently express what I mean. "His religious belief," says Sellar, "like his other speculative convictions, was composite and undefined; yet it embraced what was purest and most vital in the religions of antiquity, and in its deepest intuitions it seems to look forward to the belief which became dominant in Rome four centuries later."[869] In fact, Virgil gathers up what was valuable in the past of Rome and adds to it a new element, a new source of life and
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