h, considering the peculiar character of the paper, he
fills with consummate tact. Some of the great organs of public opinion
may thunder forth embittered denunciations, others, in the silkiest
tone, will admonish so gently that they half approve the misconduct of
people in power if their birth happens to have been sufficiently
elevated. The distinguishing characteristics of the political articles
written by Charles Mackay are their manly and thoroughly independent
spirit, avoiding alike fulsome adulation and indiscriminate abuse. His
censure and his praise are always governed by strictest impartiality.
Whether he condemns or whether he applauds he secures the respect even
of those from whom he differs the most. It is no small merit to possess
such a power in the conflict and strife of politics. We happen to know a
circumstance which speaks volumes on this subject. The peculiarities of
the press of England were being discussed in the presence of a foreign
nobleman, of high rank and political influence, who expressed himself to
this effect:--"Some of your newspapers are _feared_, some simply
tolerated, some detested, and some merit our contempt, but the
_Illustrated London News_ is respected. It is admitted everywhere, it is
read everywhere; and, although it is sometimes severe, its very severity
is appreciated, because it is the expression of earnest conviction and
sterling good sense; the result is, that it has, on the Continent, a
wider influence than any paper published in England."

Mackay's works have been numerous and various. Without presuming to be
perfectly accurate, we shall attempt a list of his several publications.
His first, as we have already stated, was a small volume of "Poems,"
published in 1836. This was followed by the "Hope of the World," a poem,
in heroic verse, published in 1839. Soon afterwards appeared "The Thames
and its Tributaries," a most suggestive, agreeable, and gossiping book.
In 1841 appeared his "Popular Delusions," a work of considerable merit;
and next came, in 1842, his romance of "Longbeard, Lord of London," so
well conceived and cleverly executed, that an archaeologist of
considerable pretensions mistook it for a genuine historical record of
the place on which it was written. His next work, and up till that
period his noblest poem, "The Salamandrine, or Love and Immortality,"
appeared in 1843. As there is no hesitation in his thought, there is no
vagueness in his language; it is te