FREE BOOKS

Author's List




PREV.   NEXT  
|<   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202  
203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   >>   >|  
eeding 1000 vibrations a second,--the ear is by no means limited to that range in hearing. The chirrup of a sparrow, the shrill sound of a cricket, and the piercing shrieks of a locomotive are due to far greater frequencies, the number of vibrations at times equaling 38,000 per second or more. 264. The Musical Scale. When we talk, the pitch of the voice changes constantly and adds variety and beauty to conversation; a speaker whose tone, or pitch, remains too constant is monotonous and dull, no matter how brilliant his thoughts may be. While the pitch of the voice changes constantly, the changes are normally gradual and slight, and the different tones merge into each other imperceptibly. In music, however, there is a well-defined interval between even consecutive notes; for example, in the musical scale, middle C (do) with 256 vibrations is followed by D (re) with 288 vibrations, and the interval between these notes is sharp and well marked, even to an untrained ear. The interval between two notes is defined as the ratio of the frequencies; hence, the interval between C and D (do and re) is 288/256, or 9/8. Referring to Section 263, we see that the interval between C and E is 320/256, or 5/4, and the interval between C and C' is 512/256, or 2; the interval between any note and its octave is 2. The successive notes in one octave of the musical scale are related as follows:-- |Key of C |C |D |E |F |G |A |B |C' | |No. of vibrations | | | | | | | | | |per sec. |256 |288 |320 |341 |384 |427 |480 |512 | |Interval |9/8 |5/4 |4/3 |3/2 |5/3 |15/8 |2 | | The intervals of F and A are not strictly 4/3 and 5/3, but are nearly so; if F made 341.3 vibrations per second instead of 341; and if A made 426.6 instead of 427, then the intervals would be exactly 4/3 and 5/3. Since the real difference is so slight, we can assume the simpler ratios without appreciable error. Any eight notes whose frequencies are in the ratio of 9/8, 5/4, etc., will when played in succession give the familiar musical scale; for example, the deepest bass voice starts a musical scale whose notes have the frequencies 80, 90, 100, 107, 120, 133, 150, 160, but the intervals here are identical with those of a higher scale; the interval between C and D, 80 and 90, is 9/8, just as it was before when the frequencies were much greater; that is, 256 and 288. In singing "Home,
PREV.   NEXT  
|<   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202  
203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   >>   >|  



Top keywords:

interval

 
vibrations
 

frequencies

 

musical

 

intervals

 

octave

 

slight

 

defined

 

constantly

 

greater


Interval

 

related

 

eeding

 

strictly

 

deepest

 

starts

 

identical

 

singing

 

higher

 

familiar


difference

 

assume

 

successive

 

simpler

 

ratios

 

played

 

succession

 

appreciable

 
Musical
 

variety


beauty

 

constant

 
monotonous
 

remains

 

conversation

 

speaker

 

equaling

 

cricket

 

limited

 

shrill


sparrow

 

hearing

 
chirrup
 

piercing

 

shrieks

 
number
 

locomotive

 

matter

 

marked

 
untrained