i. 91;
life at, ii. 91, 93.

Moultou (pastor of Motiers), his enthusiasm for Rousseau, ii. 82.

Music, Rousseau undertakes to teach, i. 60;
Rousseau's opinion concerning Italian, i. 105;
effect of Galuppi's, i. 105;
Rousseau earns his living by copying, i. 196; ii. 315;
Rameau's criticism on Rousseau's _Muses Galantes_, i. 211;
French, i. 291;
Rousseau's letter on, i. 292;
Italian, denounced at Paris, i. 292;
Rousseau utterly condemns French, i. 294;
quarrels with Gluck for setting his, to French words, ii. 323.

Musical notation, Rousseau's, i. 291;
his Musical Dictionary, i. 296;
his notation explained, i. 296-301;
his system inapplicable to instruments, i. 301.

NAPLES, drunkenness, how regarded in, i. 331.

_Narcisse_, Rousseau's condemnation of his own comedy of, i.
215.

Nature, Rousseau's love of, i. 234-241; ii. 39;
state of, Rousseau, Montesquieu, Voltaire, and Hume on, i. 156-158;
Rousseau's, in Second Discourse, i. 171-180;
his starting-point of right, and normal constitution of civil
society, ii. 124. See State of Nature.

Necker, ii. 54, 98, _n._

Neuchatel, flight to principality of, by Rousseau, ii. 73;
history of, ii. 73, _n._;
outbreak at, arising from religious controversy, ii. 90;
preparations for driving Rousseau out of, defeated by Frederick of
Prussia, ii. 90;
clergy of, against Rousseau, ii. 106.

New Heloisa, first conception of, i. 250;
monument of Rousseau's fall, ii. 1;
when completed and published, ii. 2;
read aloud to the Duchess de Luxembourg, ii. 3;
letter on suicide in, ii. 16;
effects upon Parisian ladies of reading the, ii. 18, 19;
criticism on, ii. 20-55;
his scheme proposed in it, ii. 21;
its story, ii. 24;
its purity, contrasted with contemporary and later French
romances, ii. 24;
its general effect, ii. 27;
Rousseau absolutely without humour, ii. 27;
utter selfishness of hero of, ii. 30;
its heroine, ii. 30;
its popularity, ii. 231, 232;
burlesque on it, ii. 31, _n._;
its vital defect, ii. 35;
difference between Rousseau, Byron, and others, ii. 42;
sumptuary details of the story, ii. 44, 45;
its democratic tendency, ii. 49, 50;
the bearing of its teaching, ii. 54;
hindrances to its circulation in France, ii. 57;
Malesherbes's low morality as to publishing, ii. 61.

OPTIMISM of Pope and Leibnitz, i. 309-310;
discussed, ii. 128-130.

Origin of i