ure, i. 77, 78;
notion of deity, i. 77;
peculiar intellectual feebleness, i. 81;
criticism on himself, i. 83;
want of logic in his mental constitution, i. 85;
effect on him of Voltaire's Letters on the English, i. 85;
self-training, i. 86;
mistaken method of it, i. 86, 87;
writes a comedy, i. 89;
enjoyment of rural life at Les Charmettes, i. 91, 92;
robs Madame de Warens, i. 92;
leaves her, i. 93;
discrepancy between dates of his letters and the Confessions, i.
93;
takes a tutorship at Lyons, i. 95;
condemns the practice of writing Latin, i. 96, _n._;
resigns his tutorship, and goes to Paris, i. 97;
reception there, i. 98-100;
appointed secretary to French Ambassador at Venice, i. 100-106;
in quarantine at Genoa, i. 104;
his estimate of French melody, i. 105;
returns to Paris, i. 106;
becomes acquainted with Theresa Le Vasseur, i. 106;
his conduct criticised, i. 107-113;
simple life, i. 113;
letter to her, i. 115-119;
his poverty, i. 119;
becomes secretary to Madame Dupin and her son-in-law, M. de
Francueil, i. 119;
sends his children to the foundling hospital, i. 120, 121;
paltry excuses for the crime, i. 121-126;
his pretended marriage under the name of Renou, i. 129;
his Discourses, i. 132-186 (see Discourses);
writes essays for academy of Dijon, i. 132;
origin of first essay, i. 133-137;
his "visions" for thirteen years, i. 138;
evil effect upon himself of the first Discourse, i. 138;
of it, the second Discourse and the Social Contract upon Europe,
i. 138;
his own opinion of it, i. 138, 139;
influence of Plato upon him, i. 146;
second Discourse, i. 154;
his "State of Nature," i. 159;
no evidence for it, i. 172;
influence of Montesquieu on him, i. 183;
inconsistency of his views, i. 124;
influence of Geneva upon him, i. 187, 188;
his disgust at Parisian philosophers, i. 191, 192;
the two sides of his character, i. 193;
associates in Paris, i. 193;
his income, i. 196, 197, _n._;
post of cashier, i. 196;
throws it up, i. 197, 198;
determines to earn his living by copying music, i. 198, 199;
change of manners, i. 201;
dislike of the manners of his time, i. 202, 203;
assumption of a seeming cynicism, i. 206;
Grimm's rebuke of it, i. 206;
Rousseau's protest against atheism, i. 208, 209;
composes a musical interlude, the Village Soothsayer, i. 212;
his nervousness loses him