he
SSU K`U CH`UAN SHU CHIEN MING MU LU, ch. 9, fol. 22 sqq.
1. WU TZU, in 1 CHUAN or 6 chapters. By Wu Ch`i (d. 381
B.C.). A genuine work. See SHIH CHI, ch. 65.
2. SSU-MA FA, in 1 CHUAN or 5 chapters. Wrongly attributed
to Ssu-ma Jang-chu of the 6th century B.C. Its date, however,
must be early, as the customs of the three ancient dynasties are
constantly to be met within its pages. See SHIH CHI, ch. 64.
The SSU K`U CH`UAN SHU (ch. 99, f. 1) remarks that the
oldest three treatises on war, SUN TZU, WU TZU and SSU-MA FA,
are, generally speaking, only concerned with things strictly
military -- the art of producing, collecting, training and
drilling troops, and the correct theory with regard to measures
of expediency, laying plans, transport of goods and the handling
of soldiers -- in strong contrast to later works, in which the
science of war is usually blended with metaphysics, divination
and magical arts in general.
3. LIU T`AO, in 6 CHUAN, or 60 chapters. Attributed to Lu
Wang (or Lu Shang, also known as T`ai Kung) of the 12th century
B.C. [74] But its style does not belong to the era of the Three
Dynasties. Lu Te-ming (550-625 A.D.) mentions the work, and
enumerates the headings of the six sections so that the forgery
cannot have been later than Sui dynasty.
4. WEI LIAO TZU, in 5 CHUAN. Attributed to Wei Liao (4th
cent. B.C.), who studied under the famous Kuei-ku Tzu. The work
appears to have been originally in 31 chapters, whereas the text
we possess contains only 24. Its matter is sound enough in the
main, though the strategical devices differ considerably from
those of the Warring States period. It is been furnished with a
commentary by the well-known Sung philosopher Chang Tsai.
5. SAN LUEH, in 3 CHUAN. Attributed to Huang-shih Kung, a
legendary personage who is said to have bestowed it on Chang
Liang (d. 187 B.C.) in an interview on a bridge. But here again,
the style is not that of works dating from the Ch`in or Han
period. The Han Emperor Kuang Wu [25-57 A.D.] apparently quotes
from it in one of his proclamations; but the passage in question
may have been inserted later on, in order to prove the
genuineness of the work. We shall not be far out if we refer it
to the Northern Sung period [420-478 A.D.], or somewhat earlier.
6. LI WEI KUNG WEN TUI, in 3 sections. Written in the form
of a dialogue between T`ai Tsung and his g
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