er nightfall."

With those words, Mr. Fujinami picked up a newspaper to indicate
that the audience was terminated; and Mr. Ito, after a series of
prostrations, withdrew.

* * * * *

As soon as he was out of sight, Mr. Fujinami Gentaro selected from the
pile in front of him a number of letters and newspapers. With these
in his hand, he left the study, and followed a path of broad, flat
stepping-stones across the garden towards the cherry-orchard. Here
the way sloped rapidly downward under a drift of fallen petals. On the
black naked twigs of the cherry-trees one or two sturdy blossoms still
clung pathetically, like weather-beaten butterflies. Beyond a green
shrubbery, on a little knoll, a clean newly-built Japanese house,
like a large rabbit hutch, rested in a patch of sunlight. It was
the _inkyo_, the "shadow dwelling" or dower house. Here dwelt Mr.
Fujinami, senior, and his wife--his fourth matrimonial experiment.

The old gentleman was squatting on the balcony of the front corner
room, the one which commanded the best view of the cherry-grove. He
looked as if he had just been unpacked; for he was surrounded by reams
and reams of paper, some white, and some with Chinese letters scrawled
over them. He was busy writing these letters with a kind of thick
paint-brush; and he was so deep in his task that he appeared not to
notice his son's approach. His restless jaw was still imperturbably
chewing.

"_O hay[=o] gozaimas_'!"

"_Tar[=o], yo! O hay[=o]_!" cried the old gentleman, calling his son by his
short boy's name, and cutting off all honorifics from his speech.
He always affected surprise at this visit, which had been a daily
occurrence for many years.

"The cherry-flowers are fallen and finished," said the younger man.
"Ah, human life, how short a thing!"

"Yes, one year more I have seen the flowers," said Mr. Fujinami
Gennosuke, nodding his head and taking his son's generalisation as
a personal reference. He had laid his brush aside; and he was really
wondering what would be Gentaro's comment on last night's feast and
its guests of honour.

"Father is practising handwriting again?"

The old man's mania was penmanship, just as his son's was literature.
Among Japanese it is considered the pastime becoming to his age.

"My wrist has become stiff. I cannot write as I used to. It is
always so. Youth has the strength but not the knowledge; age has the
knowledge, but no strength."