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may fail to be noticed here by careless readers. I am an advocate of art for art's sake. I think it in very bad taste, always impertinent, and often pedantic, to attempt to prove theses by writing stories. For such a purpose dissertations or books purely and severely didactic should be written. The object of a novel should be to charm, through a faithful representation of human actions and human passions, and to create by this fidelity to nature a beautiful work. The object of art is the creation of the beautiful, and whoever applies it to any other end, of however great utility this end may be, debases it. But it may chance, through a conjunction of favorable circumstances, by a happy inspiration, because in a given moment everything is, disposed as by enchantment, or by supernatural influences, that an author's soul may become like a clear and magic mirror wherein are reflected all the ideas and all the sentiments that animate the eclectic spirit of his country, and in which these ideas and these sentiments lose their discordance, and group and combine themselves in pleasing agreement and harmony. Herein is the explanation of the interest of "Pepita Ximenez." It was written when Spain was agitated to its center, and everything was thrown out of its regular course by a radical revolution that at the same time shook to their foundations the throne and religions unity. It was written when everything in fusion, like molten metal, might readily amalgamate, and be molded into new forms. It was written when the strife raged fiercest between ancient and modern ideals; and, finally, it was written in all the plenitude of my powers, when my soul was sanest and most joyful in the possession of an enviable optimism and an all-embracing love and sympathy for humanity that, to my misfortune, can never again find place within my breast. If I had endeavored by dialectics and by reasoning to conciliate opinions and beliefs, the disapprobation would have been general; but, as the conciliating and syncretic spirit manifested itself naturally in a diverting story, every one accepted and approved it, each one drawing from my book the conclusions that best suited himself. Thus it was that, from the most orthodox Jesuit father down to the most rabid revolutionist, and from the ultra-Catholic who cherishes the dream of restoring the Inquisition, to the rationalist who is the irreconcilable enemy of every religion, all were pleased with
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