FREE BOOKS

Author's List




PREV.   NEXT  
|<   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227  
228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   >>   >|  
rlough, the men refused to "cut in" because they thought it was rude and undoubtedly it is, except that custom has made it acceptable. If, however, it still seems "rude" to the young men of Othertown to "cut in," then they should not do so. =SITTING OUT DANCES= On the other hand, if a girl is sitting in another room, or on the stairs with a man alone, a second one should not interrupt, or ask her to dance. If she is sitting in a group, he can go up and ask her, "Don't you want to dance some of this?" She then either smiles and says, "Not just now--I am very tired," or if she likes him, she may add, "Come and sit with us!" To refuse to dance with one man and then immediately dance with another is an open affront to the first one--excusable only if he was intoxicated or otherwise actually offensive so that the affront was both intentional and justifiable. But under ordinary circumstances, if she is "dancing," she must dance with everyone who asks her; if she is "not dancing," she must not make exceptions. An older lady can very properly refuse to dance and then perhaps dance briefly with her son or husband, without hurting her guest's proper pride, but having refused to dance with one gentleman she must not change her mind and dance later with another. A young girl who is dancing may not refuse to change partners when another "cuts in." This is the worst phase of the "cutting in" custom; those who particularly want to dance together are often unable to take more than a dozen steps before being interrupted. Once in a while a girl will shake her head "No" to a "stag" who darts toward her. But that is considered rude. A few others have devised dancing with their eyes shut as a signal that they do not want to be "cut in on." But this is neither customary nor even a generally known practise. It is always the privilege of the girl to stop dancing; a man is supposed to dance on and on, until she--or the music--stops. =ASKING FOR A DANCE= When a gentleman is introduced to a lady he says, "May I have some of this?" or "Would you care to dance?" A lady never asks a gentleman to dance, or to go to supper with her, though she may if she is older, or if she is a young girl who is one of a "flock," she may say "Come and sit at our table!" This however would not imply that in sitting at "their" table he is supposed to sit next to her. In asking a lady to go to supper, a gentleman should say "Will you go to suppe
PREV.   NEXT  
|<   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227  
228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   >>   >|  



Top keywords:
dancing
 

gentleman

 

sitting

 

refuse

 

refused

 

supposed

 

custom

 

supper

 

change


affront
 

cutting

 

unable

 

interrupted

 

considered

 

ASKING

 

introduced

 

privilege

 
signal

devised
 
customary
 

practise

 

generally

 

ordinary

 

interrupt

 

smiles

 

stairs

 

acceptable


undoubtedly

 
rlough
 

thought

 
DANCES
 
Othertown
 

SITTING

 
husband
 
hurting
 
briefly

properly

 

partners

 
proper
 
exceptions
 
intoxicated
 

excusable

 

immediately

 
offensive
 
circumstances

justifiable

 

intentional