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t his purpose To use him further yet in some great service. The theme of _Samson Agonistes_ had thus already taken possession of Milton's imagination when he wrote his first prose tractates. But the same writings furnish even stronger evidence of his early dallyings with the theme of _Paradise Lost_. "It was from out the rind of one apple tasted," he says in the _Areopagitica_, "that the knowledge of good and evil, as two twins cleaving together, leaped forth into the world." And again, in _The Doctrine and Discipline of Divorce_:--"The academics and stoics ... knew not what a consummate and most adorned Pandora was bestowed upon Adam, to be the nurse and guide of his arbitrary happiness and perseverance, I mean, his native innocence and perfection, which might have kept him from being our true Epimetheus." Some of these references show the imaginative scheme of the _Paradise Lost_ in the process of building. In one passage, for instance, of the last quoted treatise, Milton expounds the pagan belief that God punishes his enemies most when he throws them furthest from him:--"Which then they held he did, when he blinded, hardened, and stirred up his offenders, to finish and pile up their desperate work since they had undertaken it. To banish for ever into a local hell, whether in the air or in the centre, or in that uttermost and bottomless gulf of chaos, deeper from holy bliss than the world's diameter multiplied, they thought not a punishing so proper and proportionate for God to inflict as to punish sin with sin." It would seem as if the poet had not as yet fixed the situation of his local hell, but remained suspended between rival theories. The other idea, of the Divine permission and impulse given to hardened sinners, finds a conspicuous place in the poem. In one instance, at least, a figure drawn from the story of the Creation is violently handled to serve strange uses. The evolution of the four elements from the chaotic welter of hot, cold, moist, and dry, is adduced as a proof that the laws of God and of nature approve free divorce:--"By his divorcing command the world first rose out of chaos, nor can be renewed again out of confusion, but by the separating of unmeet consorts." Allusions of this kind occur most frequently in the earlier prose writings, while the studies that had been interrupted by controversy were yet fresh in Milton's memory. They would hardly be worth the quotation, were it not that they a
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