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rch of the Madonna della Salute, so called because erected to the Virgin in gratitude for the deliverance of the city from a pestilence, which she miraculously drove into the Adriatic. It is remarkable for its splendid pictures, most of them by Luca Giordano; and the superb high altar. I think it was the Church of the Gesuata which astonished us most. The whole of the inside walls and columns are encrusted with Carrara marble inlaid with verd-antique, in a kind of damask pattern; over the pulpit it fell like drapery, so easy, so graceful, so exquisitely imitated, that I was obliged to touch it to assure myself of the material. Then by way of contrast followed the Church of San Giorgio Maggiore,--one of Palladio's masterpieces. After the dazzling and gorgeous buildings we had left, its beautiful simplicity and correct taste struck me at first with an impression of poverty and coldness. At the Church of St. John and St. Paul is the famous martyrdom, or rather assassination, of St. Peter Martyr, by Titian, one of the most magical pictures in the world. Its tragic horror is redeemed by its sublimity. Here too is a most admirable series of bas-reliefs in white marble, representing the history of our Saviour, the work of a modern sculptor. Here too the Doges are buried; and close to the Church is the equestrian statue of one of the Falieri family: near which Marino Faliero met the conspirators. At the Frati is the grave of Titian: a small square slab covers him, with this inscription:-- "Qui giace il gran Tiziano Vecelli. Emulator dei Zeusi e degli Apelli." there is no monument:--and there needs none. It was, I think, in the Church of St. John and St. Paul, that I saw a singular and beautiful altar of black touch-stone, used when mass is said for the soul of an executed criminal. This is all I can remember of to-day. I am fatigued, and my head aches;--my imagination is yet dazzled:--my eyes are tired of admiring, my mind is tired of thinking, and my heart with feeling.----Now for repose. 27.--To-day we visited the Manfrini Palace, the Casa Pisani, the Palazzo Barberigo, and concluded the morning in the colonnade of St. Mark, and the public gardens. The day has been far less fatiguing than yesterday: for though we have seen an equal variety of objects, they forced the attention less, and gratified the imagination more. At the Manfrini Palace there is the most valuable and splendid collection of picture
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