for what is apprehended. The flawless perfection
of the Parnassians--of Heredia's sonnets--is nowhere approached in the
less aristocratically exclusive poetry of to-day. But the future, in
poetry also, is with the spirit which found the aristocracy of noble art
not upon exclusions, negations, and routine, but upon imagination,
penetration, discovery, and catholic openness of mind.
SOME BOOKS FOR CONSULTATION
Pellissier, _Le Mouvement Litteraire au XIXme Siecle_.
Brunetiere, _La Poesie Lyrique au XIXme Siecle_.
Eccles, F.Y., _A Century of French Poets_.
Vigie-Lecocq, _La Poesie Contemporaine_.
Phelps, _Advance of English Poetry in the Twentieth Century_.
Muret, _La Litterature Italienne d'aujourd'hui_.
Ladenarde, _G. Carducci_.
Symons, _The Symbolist Movement in Literature_.
Jackson, _The Eighteen Nineties_.
McDowall, _Realism_.
Aliotta, _The Idealist Reaction against Science_.
Soergel, _Die deutsche Litteratur unserer Zeit_.
Bithell, _Contemporary German Poetry_ (Translated).
Halevy, _Charles Peguy_.
FOOTNOTES:
[Footnote 3: The temper of the two realists was no doubt widely
different. 'C'est en haine du realisme', wrote Flaubert, 'que j'ai
entrepris ce roman. Mais je n'en deteste pas moins la fausse idealite,
dont nous sommes berces par le temps qui court' (_Corresp._ 3, 67).]
[Footnote 4: _Causeries du Lundi_, 1850 f.]
[Footnote 5: _Histoire de la litterature anglaise_, 1863.]
[Footnote 6: But a Wilde who wrote no _De Profundis_ and no _Ballad of
Reading Gaol_.]
[Footnote 7: _La Forge_: dedicated to Gaston Paris, the greatest
_forgeron_ of his generation in the love of Old French.]
[Footnote 8: _Rime Nuove_: Classicismo e Romantismo.]
[Footnote 9: _Midi_.]
[Footnote 10: _La Paix des Dieux_.]
[Footnote 11: For this and the other verse-translations the writer is
responsible.]
[Footnote 12: Even the 'music' was far removed from the simplicity of
pure song. The song of these poets was an incantation. Nay, painting
itself witnessed a corresponding revolt against the 'eloquence' of the
pseudo-realists--the 'far away dirty reasonableness', as Manet dubbed
it, which missed the essential vision by using the worn-down accepted
phrases of the public.]
[Footnote 13: _Au jardin de l'Infante: Veillee_.]
[Footnote 14: To some types of Irish imagination French Naturalism, it
is true, was no less congenial; hence the rift between the realist and
the spiritual Irishmen
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