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an idealist and mystic, who as a stylist is unapproached by any of his contemporaries. No account of modern Holland would be complete without a notice of the great revival of Dutch painting, which has taken place in the past half century. Without exaggeration it may indeed be said that this modern renascence of painting in Holland is not unworthy to be compared with that of the days of Rembrandt. The names of Joseph Israels, Hendrik Mesdag, Vincent van Gogh, Anton Maure, and, not least, of the three talented brothers Maris, have attained a wide and well-deserved reputation. And to these must be added others of high merit: Bilders, Scheffer, Bosboom, Rochussen, Bakhuysen, Du Chattel, De Haas and Haverman. The traditional representation of the Dutchman as stolid, unemotional, wholly absorbed in trade and material interests, is a caricature. These latter-day artists, like those of the 17th century, conclusively prove that the Dutch race is singularly sensitive to the poetry of form and colour, and that it possesses an inherited capacity and power for excelling in the technical qualities of the painter's art. * * * * * FOOTNOTES: [Footnote 1: Hollandais, Hollaender, Olandesi, Olandeses, etc.] [Footnote 2: In French books and documents, Jacqueline.] [Footnote 3: Bois-le-duc.] [Footnote 4: By English and French writers generally translated Grand Pensionary.] [Footnote 5: It must be remembered that the States-General and the Holland Estates sat in the same building.] [Footnote 6: Adam Smith, _Wealth of Nations_, I, 101.] [Footnote 7: Busken Huet, _Land van Rembrant_, III, 175.] [Footnote 8: _Acte van Seclusie._] [Footnote 9: Nassauischer Erbverein.] [Footnote 10: Charles White, _The Belgic Revolution_, 1835, vol. 1, p. 106.] [Footnote 11: _Correspondence secrete des Pays-Bas_. Julian received his report of the conversation direct from Count Bylandt by permission of the king.] [Footnote 12: From Van Maanen's private papers. See Colenbrander's _Belgische Omwenteling_, p. 139.] [Footnote 13: The ratification by the Powers took place on the following dates:--France and Great Britain, January 31; Austria and Prussia, April 18; Russia, May 4, 1832.] [Footenote 14: The Prince of Orange had married Anna Paulovna, sister of Alexander I, in 1
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