e of Michel Angelo its
constructor, who when some one made a remark on the impossibility of making
a finer Cupola than that of the Pantheon, burst out into the following
exclamation: "Do you think so? Then I will throw it in the air," and he
fulfilled his word; for the cupola of St Peter's is exactly of the size of
that of the Pantheon, tho' at such an elevation as to give it only the
appearance of one fourth of its real size, or even less. The sublimity of
the design can only be equalled by the boldness and success of its
execution. Till it was done, it was thought by every artist impossible to
be done. What an extraordinary genius was this Michel Angelo! Ariosto has
hot at all exaggerated in his praise when he speaks of him in punning on
his name:

_Michel_ piu che mortal, _Angel_ divino.[88]

Michael, less man than Angel and divine.

--Trans, W.S. ROSE.

Among the various splendid marble monuments with which this temple abounds
is one erected to the memory of Pope Rezzonico, constructed by Canova and
reckoned one of his masterpieces. The Pope is represented in his
canonicals. Behind and above him is a colossal statue of Religion with a
cross in one hand and rays in form of spikes issuing from her head. I do
not like these spikes. On the dexter side of this monument, is a beautiful
male youthful figure representing a funereal genius with an inverted torch.
The signal delicacy, beauty and symmetry of this statue forms a striking
contrast with the figure of an immense lion sleeping on the sinister side;
and this lion is an irrefragable proof that Canova excels in the
delineation of the terrible as well as the beautiful, for it is admirably
executed.

At another monument is a superb female figure of colossal size representing
Truth. It was formerly naked, but they have contrived to execute in
coloured marble a vestment to cover her loins and veil her secret beauties.
The reason of which is, that this beautiful statue made such an impression
once upon a traveller (some say he was an Englishman, others a Spaniard)
that it inspired him with a sort of Pygmalionic passion which he attempted
to gratify one night; he was discovered in the attempt, and since that
time, to prevent further scandal or attempts of the sort and to conceal
from profane eyes the charms of the too alluring Goddess, this colored
marble vestment was imagined and executed. This story is borrowed from
Lucian.[89]

There is also here a fine stat