geria, smelled at the _Cloaca Maxima_; in fine, I
have given in to all the _singeries_ of _pedantry_ and _virtu_ with as much
ardour as Martinus Scriblerus himself would have done. But it yet remains
for me to speak of the most interesting exhibition that modern Rome can
boast, and of the most interesting person in it and in all Italy, and that
is the atelier of Canova and Canova himself, the greatest sculptor,
perhaps, either of ancient or modern times, except the mighty unknown who
conceived and executed the Apollo of the Vatican.

In the atelier of Canova the most remarkable statues I observed are: a
group of Hector and Ajax of colossal size, not quite finished; a Centaur,
also colossal; a Hebe; two Ballerine or dancing girls, one of which
rivetted my attention most particularly. She is reclining against a tree
with her cheek _appuyed_ on one hand; one of her feet is uplifted and laid
along the other leg as if she were reposing from a dance. The extreme
beauty of the leg and foot, the pulpiness of the arms, the expressive
sweetness of the face, and the resemblance of the marble to wax in point of
mellowness, gives to this beautiful statue the appearance of a living
female _brunette_. It was a long time before I could withdraw my eyes from
that lovely statue.

The next object that engaged my attention was a group representing a Nymph
reclining on a couch _semi-supine_, and a Cupid at her feet. The luxurious
contour of the form of this Nymph is beyond expression and reminded me of
the description of Olympia:

Le parti che solea coprir la stola
Fur di tanta eccellenza, ch'anteporse
A quante n'avea il mondo potean forse.[91]

Parts which are wont to be concealed by gown
Are such, as haply should be placed before
Whate'er this ample world contains in store.

--Trans. W.S. ROSE

This group is destined for the Prince Regent of England. Another beautiful
group represents the three Graces; this is intended for the Duke of
Bedford. Were it given to me to chuse for myself among all the statues in
the atelier of Canova, I should chuse these three, viz., the Ballerina, the
Nymph reclining, and this group of the Graces.

Canova certainly is inimitable in depicting feminine beauty, grace and
delicacy. Among the other statues in this atelier the most prominent are: a
statue of the Princess Leopoldina Esterhazy in the attitude of drawing on a
tablet with this inscription:

_Anch'io voglio tentar l'arte del