served, 'till an enlightened age arose which
guided by Philosophy, Humanity and Science will for ever preserve them
secure against all attacks of barbarians in a sanctuary so worthy of them.

_Museum Vaticanum_[90]

A superb flight of steps leads into a hall of immense length filled on each
side with statues, busts, sarcophagi, altars, urns, vases and candelabra,
all monuments of antiquity and of the most exquisite workmanship. The walls
on each side of this hall are inlaid with tablets bearing inscriptions in
Greek, Latin and Etruscan. One is quite bewildered amongst such a profusion
of Gods, Semi-Gods, Heroes. I must single out a few of the most remarkable
for their workmanship. Here is a group representing the sacrifice of
Mithras. On ascending a few steps at the other end of this hall, in a small
octangular room, are the statue of Meleager; the famous Torso; the tomb of
Scipio with bas-reliefs. On leaving the chamber you come into an octangular
gallery, issuing from which are four circular chambers; each chamber
contains a masterpiece of art. In one is the Apollo Belvedere, in another
the Laocoon (both safely arrived from Paris); in the third Antinous; in the
fourth the Perseus of Canova, with Medusa's head and his famous group of
the two pugilists. Descriptions of the three first would be superfluous--
for of them

Mills altri han detto e con via miglior plettro,

and even with respect to the Perseus of Canova, I shall content myself with
remarking that the sculptor had evidently the Apollo Belvedere in his
ideal, and if he has not quite equalled that celebrated statue, it is
because it is impossible; but he certainly has given the nearest possible
approximation to its excellence.

In another hall and just at its entrance are the statues of Menander and
Posidippus in a sitting posture, one on either side. In this hall are
innumerable fine statues, but the further end of it, fronting you as you
enter, is a statue which at once engages and rivets your undivided
attention; it at once induces you to approach and to take no notice of the
statues on the right and left of the hall. And how should it be otherwise,
since it is the identical statue of the father of the Gods and men, the
famous Jupiter Capitolinus which adorned the Capitol in ancient Rome. He is
sitting on a throne with a sceptre in one hand and the thunderbolts in the
other, at his feet an eagle. It is a glorious statue and in every respect
character