Venetian, 213, 214, 227, 228

Venice, 3, 224, 226, 227, 228, 238, 246

Verina, Empress, 265

Vienna, 280

Vigilius, Pope, 66, 67

Villehardouin, 297

Viros, 296, 297

Vlach Serai, 280

Vlanga, 196

Wallachian, 280

Wall of Constantine, 109

Wall of Heraclius, 207, 208

Wall of Leo, 207, 208

Walls of Theodosius II., 289, 290

War Office, 244, 265

Xene, 220

Xerolophos, 108, 109

Yali Kiosk Kapoussi. _See_ Gate of Eugenius

Yedi Koule. _See_ Golden Gate

Yolande, 229

Zeirek Mehemed Effendi, 233

Zinet, 144, 145

Zoe--
Empress of Leo VI., 90
Empress, daughter of Constantine VIII., 44

THE END

_Printed by_ R. & R. CLARK, Limited, _Edinburgh_.

[Transcriber's note: * is used around words to mark bold text.]

End of the Project Gutenberg EBook of Byzantine Churches in Constantinople, by
Alexander Van Millingen and Ramsay Traquair and W. S. George and A. E. Henderson

*** END OF THIS PROJECT GUTENBERG EBOOK BYZANTINE CHURCHES, CONSTANTINOPLE ***

***** This file should be named 29077.txt or 29077.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/9/0/7/29077/

Produced by Bryan Ness, Turgut Dincer and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Million Book Project)

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with