these
images, as signifying merely reverence for Gautama's teaching; but to the
multitude, as has been seen already, the images represent distinct and
all-powerful deities. Indeed, the people are encouraged thus to regard
them by their ecclesiastical superiors; it being one of the methods of
Buddhism thus to adapt its teaching to the capacity of dense and ignorant
minds. And thus it comes about that a religion, commencing with
agnosticism, meets the "craving for divinity," so deeply implanted in the
nature of our race, by passing into what is, practically, a deification of
humanity.
[Illustration.]
Pagoda at Nikko.
Leaving the Hondo, we next proceed to explore the grounds and remaining
buildings connected with the temple. This lofty _Pagoda_, for instance,
several stories high, is erected over some holy relic,--perhaps the
vitrified remains of the founder, after cremation. A little further on, we
come to the _Rinzo_, or Revolving Library, containing an entire set of the
Buddhist scriptures. As these consist altogether of some 6,700 or 6,800
large volumes, it is clearly impossible for any one person to read them
all. This, however, need not be regretted seeing that whatever merit might
be obtained by a complete perusal, is freely extended to all, who will
take the trouble to make this huge stand revolve; the structure being so
arranged that a single push is sufficient for the purpose! The Rinzo was
an invention of a Chinese priest, and is said to date from the sixth
century. Owing to their costliness they are rarely met with; and the only
two I remember seeing were at Asakusa, Tokio, and at Ikegami, the
head-quarters of the Hokkai sect. Elsewhere in the grounds we come upon
the _Shoro_, or Great Bell,--used not for summoning the faithful, but for
the purpose of invocation and worship;--the _Koro_, or Drum-tower; the
_Emado_, or "Ex-voto" Shed, the walls of which are covered with pictures,
charms, and other offerings; cisterns for the purpose of ceremonial
purification; a printing and publishing department; and, perhaps, a grotto
with ghastly representations of the sufferings endured in the Buddhist
hells. Usually, too, to be found in the sacred precincts, is a specimen of
the _Ficus religiosa_, or sacred tree, under which Sakya-muni attained his
enlightenment. At the rear of the temple buildings are situated the
priests' apartments,--often a quadrangle enc
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