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ives behind his self-abnegation were in the highest degree creditable to him. This I have been asked to say, and I am glad to say it. Among Freydon's papers was one which, for a time, greatly puzzled me. Once I had learned precisely what this paper meant, it became for me most deeply significant, knowing as I did that it must have been lying where I found it, in a drawer of Freydon's work-table, while he wrote, immediately before his last illness, the final sections of this work, including its penultimate chapter; including, therefore, such passages as these: _Over and above all this I deliberately chose my 'way out,' and it is good. I am assured the life of this my hermitage is one better suited to the man I am to-day than any other life I could hope to lead elsewhere.... And if I, my inner self, cannot find peace here, where peace so clearly is, what should it profit me to go seeking it where peace is not visible at all, and where all that is visible is turmoil, hurry, and fret.... And, in short, _Je suis, je reste!_ ... England! Of all the place names, the names of countries that the world has ever known, was ever one so simply magic as this--England? ..._ This document was a certificate entitling Freydon to a passage to England by an Orient line steamer. Upon inquiry at the offices of the line in Sydney, I found that, twenty-eight days before his death, my friend had booked and paid for a passage to London. At his request no berth had been allotted, and no date fixed. But, by virtue of the payment then made, he was assured of a passage home when he should choose to claim it. To my mind this discovery was one of peculiar interest, considered in the light of the concluding pages of that record of Nicholas Freydon's thoughts and experiences which is presented in this volume. ***END OF THE PROJECT GUTENBERG EBOOK THE RECORD OF NICHOLAS FREYDON*** ******* This file should be named 30704.txt or 30704.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/0/7/0/30704 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General T
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