ORKS IN PADUA.

Towards the close of the thirteenth century, Enrico Scrovegno, a noble
Paduan, purchased, in his native city, the remains of the Roman
Amphitheatre or Arena from the family of the Delesmanini, to whom
those remains had been granted by the Emperor Henry III. of Germany in
1090. For the power of making this purchase, Scrovegno was in all
probability indebted to his father, Reginald, who, for his avarice, is
placed by Dante in the seventh circle of the _Inferno_, and regarded
apparently as the chief of the usurers there, since he is the only one
who addresses Dante.[1] The son, having possessed himself of the
Roman ruin, or of the site which it had occupied, built himself a
fortified palace upon the ground, and a chapel dedicated to the
Annunciate Virgin.

[Footnote 1:

"Noting the visages of some who lay
Beneath the pelting of that dolorous fire,
One of them all I knew not; but perceived
That pendent from his neck each bore a pouch,
With colours and with emblems various marked,
On which it seemed as if their eye did feed.
And when amongst them looking round I came,
A yellow purse I saw, with azure wrought,
That wore a lion's countenance and port.
Then, still my sight pursuing its career,
Another I beheld, than blood more red,
A goose display of whiter wing than curd.
_And one who bore a fat and azure swine
Pictured on his white scrip, addressed me thus:_
What dost thou in this deep? Go now and know,
Since yet thou livest, that my neighbour here,
Vitaliano, on my left shall sit.
A Paduan with these Florentines am I.
Ofttimes they thunder in mine ears, exclaiming,
Oh! haste that noble knight, he who the pouch
With the three goats will bring. This said, he writhed
The mouth, and lolled the tongue out, like an ox
That licks his nostrils."

_Canto_ xvii.

This passage of Cary's Dante is not quite so clear as that
translator's work usually is. "One of them all I knew not" is an
awkward periphrasis for "I knew none of them." Dante's indignant
expression of the effect of avarice in withering away distinctions of
character, and the prophecy of Scrovegno, that his neighbor Vitaliano,
then living, should soon be with him, to sit on his left hand, is
rendered a little obscure by the transposition of the word "here."
Cary has also been afraid of the excessive homeliness of Dante's
imagery; "whiter wing than c