The Project Gutenberg EBook of Giotto and his works in Padua, by John Ruskin
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Giotto and his works in Padua
An Explanatory Notice of the Series of Woodcuts Executed
for the Arundel Society After the Frescoes in the Arena
Chapel
Author: John Ruskin
Release Date: May 11, 2006 [EBook #18371]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK GIOTTO AND HIS WORKS IN PADUA ***
Produced by Juliet Sutherland, Linda Cantoni, and the
Online Distributed Proofreading Team at http://www.pgdp.net
Library Edition
THE COMPLETE WORKS
OF
JOHN RUSKIN
STONES OF VENICE
VOLUME III
GIOTTO
LECTURES ON ARCHITECTURE
HARBOURS OF ENGLAND
A JOY FOREVER
NATIONAL LIBRARY ASSOCIATION
NEW YORK CHICAGO
THE COMPLETE WORKS
OF
JOHN RUSKIN
VOLUME X
GIOTTO AND HIS WORKS
LECTURES ON ARCHITECTURE
THE HARBORS OF ENGLAND
POLITICAL ECONOMY OF ART (A JOY FOREVER)
GIOTTO
AND HIS WORKS IN PADUA
BEING
AN EXPLANATORY NOTICE OF THE SERIES OF
WOODCUTS EXECUTED FOR THE ARUNDEL
SOCIETY AFTER THE FRESCOS IN
THE ARENA CHAPEL
ADVERTISEMENT.
The following notice of Giotto has not been drawn up with any idea of
attempting a history of his life. That history could only be written
after a careful search through the libraries of Italy for all
documents relating to the years during which he worked. I have no time
for such search, or even for the examination of well-known and
published materials; and have therefore merely collected, from the
sources nearest at hand, such information as appeared absolutely
necessary to render the series of Plates now published by the Arundel
Society intelligible and interesting to those among its Members who
have not devoted much time to the examination of mediaeval works. I
have prefixed a few remarks on the relation of the art of Giotto to
former and subsequent efforts; which I hope may be useful in
preventing the general reader from either looking for what the painter
never intended to give, or missing the points to which his endeavours
were really directed.
J.R.
GIOTTO
AND HIS W
|