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The Project Gutenberg EBook of Conversation, by Mary Greer Conklin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Conversation What to Say and How to Say it Author: Mary Greer Conklin Release Date: January 18, 2009 [EBook #27830] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK CONVERSATION *** Produced by Sigal Alon, Carla Foust, Fox in the Stars and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note Minor punctuation errors have been changed without notice. Printer errors have been changed and are listed at the end. CONVERSATION _What to Say and How to Say It_ CONVERSATION _What to Say and How to Say It_ BY MARY GREER CONKLIN FUNK & WAGNALLS COMPANY NEW YORK AND LONDON 1912 COPYRIGHT, 1912, BY FUNK & WAGNALLS COMPANY All rights reserved for all countries [_Printed in the United States of America_] Published November, 1912 IN LOVING MEMORY TO A. E. C. WHOSE DELIGHTFUL CONVERSATION STIMULATED MY YOUTH AND IN GRATEFUL ACKNOWLEDGMENT OF THEIR SEVERE CRITICISM AND FRIENDLY AID TO CHARLES TOWNSEND COPELAND ASSISTANT PROFESSOR OF ENGLISH AT HARVARD COLLEGE AND FRANK WILSON CHENEY HERSEY INSTRUCTOR IN ENGLISH AT HARVARD COLLEGE PREFACE "The best book that was ever written upon good breeding," said Dr. Johnson to Boswell, "the best book, I tell you, _Il Cortegiano_ by Castiglione, grew up at the little court of Urbino, and you should read it." _Il Cortegiano_ was first published by the Aldine Press at Venice, in 1528. Before the close of the century more than one hundred editions saw the light; French, Spanish, English, and German versions followed each other in rapid succession, and the _Cortegiano_ was universally acclaimed as the most popular prose work of the Italian Renaissance. "Have you read Castiglione's _Cortegiano_?" asks the courtier Malpiglio, in Tasso's dialog. "The beauty of the book is such that
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