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or "defend zealously." No, this the exactness and simplicity of true art rejected. Then came the simple, perfect phrasing--"my reputation as a pianiste, of which I am somewhat jealous." Unquestionably, as with Keats's word "forever," the word "jealous" was perfectly familiar. It was not any one exceptional word which was necessary, but a weaving of simple words--if I may be permitted the expression. Here, in order to get the effect desired this master-mind refrained from using a vocabulary. Words came readily enough; but the tongue was in command of silence because pretentious words failed the end. This perfection of expression is not a matter of vocabulary alone. It is more than vocabulary; it is a grappling after the really subtle and intellectual elements of the art of expression and persuasion. Of what use all the delicately tinted tapestry threads in the world, spread out before a tapestry-worker, if he does not possess the ability to weave them into faultless designs, employing his colors sparingly here, and lavishly there? "One's tongue and pen should be in absolute command, whether for silence or attack," says Stevenson again; and, more than on any quality of force, business success depends upon that same nicety in the use of words which selects the tactful expression, the modest and simple phrase, in the drawing-room; the sort of nicety which is unobtrusive exactness and delicacy; an artistry which in no way labels itself skilful. But underneath all, the woof of the process is social skill--that skill which is the ability to go back to unadorned first principles with the dexterity of one who has acquired the power to do the simple thing perfectly by having mastered the entire gamut of the complex. FOOTNOTE: [Footnote B: Even Stevenson acknowledged secrecy in his earlier climbings.] CHAPTER VIII CONCLUSION _Conversation Is Reciprocal--Good Conversationalists Cannot Talk to the Best Advantage without Confederates--As in Whist, It Is the Combination Which Effects What a Single Whist-playing Genius Cannot Accomplish--Good Conversation Does not Mark a Distinction among Subjects; It Denotes a Difference in Talkability--The Different Degrees of Talkability--Imperturbable Glibness Impedes Good Conversation--Ease with Which One May Improve One's Conversational Powers._ CHAPTER VIII CONCLUSION Good conversation, then, is like a well-played gam
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