rra-cotta Victory in almost the identical action
and drapery. As for Dumont d'Urville's statement that, when the statue
was discovered, one hand held an apple and the other a fold of the
drapery, the latter is obviously a mistake, and the whole evidence on the
subject is so contradictory that no reliance can be placed on the
statement made by the French Consul and the French naval officers, none
of whom seems to have taken the trouble to ascertain whether the arm and
hand now in the Louvre were really found in the same niche as the statue
at all. At any rate, these fragments seem to be of extremely inferior
workmanship, and they are so imperfect that they are quite worthless as
data for measure or opinion. So far, Mr. Stillman is on old ground. His
real artistic discovery is this. In working about the Acropolis of
Athens, some years ago, he photographed among other sculptures the
mutilated Victories in the Temple of Nike Apteros, the 'Wingless
Victory,' the little Ionic temple in which stood that statue of Victory
of which it was said that '_the Athenians made her without wings that she
might never leave Athens_.' Looking over the photographs afterwards,
when the impression of the comparatively diminutive size had passed, he
was struck with the close resemblance of the type to that of the Melian
statue. Now, this resemblance is so striking that it cannot be
questioned by any one who has an eye for form. There are the same large
heroic proportions, the same ampleness of physical development, and the
same treatment of drapery, and there is also that perfect spiritual
kinship which, to any true antiquarian, is one of the most valuable modes
of evidence. Now it is generally admitted on both sides that the Melian
statue is probably Attic in its origin, and belongs certainly to the
period between Phidias and Praxiteles, that is to say, to the age of
Scopas, if it be not actually the work of Scopas himself; and as it is to
Scopas that these bas-reliefs have been always attributed, the similarity
of style can, on Mr. Stillman's hypothesis, be easily accounted for.

As regards the appearance of the statue in Melos, Mr. Stillman points out
that Melos belonged to Athens as late as she had any Greek allegiance,
and that it is probable that the statue was sent there for concealment on
the occasion of some siege or invasion. When this took place, Mr.
Stillman does not pretend to decide with any degree of certainty, but it
is