FREE BOOKS

Author's List




PREV.   NEXT  
|<   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225  
226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   >>   >|  
nt, exhaustive, and profound, but she could not link them to other sentences so as to form an organic whole. Her thought was definite singly, but vague as a whole. She always saw things separately, and tried to combine them arbitrarily, and it is generally difficult to follow out any idea of hers from its origin to its end. Her thoughts are like pearls of price profusely scattered, or carelessly strung together, but not set in any design. On closing one of her books, the reader is left with no continuous impression. He has been dazzled and delighted, enlightened also by flashes; but the horizons disclosed have vanished again, and the outlook is enriched by no new vistas. Then she was deficient in the higher qualities of the imagination. She could analyse, but not characterise; construct, but not create. She could take one defect like selfishness, or one passion like love, and display its workings; or she could describe a whole character, like Napoleon's, with marvellous penetration; but she could not make her personages talk, or act like human beings. She lacked pathos, and had no sense of humour. In short, hers was a mind endowed with enormous powers of comprehension, and an amazing richness of ideas, but deficient in perception of beauty, in poetry, and in true originality. She was a great social personage, but her influence on literature was not destined to be lasting, because, in spite of foreseeing too much, she had not the true prophetic sense of proportion, and confused the things of the present with those of the future--the accidental with the enduring. I cannot but think that in this passage Miss Duffy rather underrates Madame de Stael's influence on the literature of the nineteenth century. It is true that she gave our literature no new form, but she was one of those who gave it a new spirit, and the romantic movement owes her no small debt. However, a biography should be read for its pictures more than for its criticisms, and Miss Duffy shows a remarkable narrative power, and tells with a good deal of esprit the wonderful adventures of the brilliant woman whom Heine termed 'a whirlwind in petticoats.' * * * * * Mr. Harcourt's reprint of John Evelyn's Life of Mrs. Godolphin is a welcome addition to the list of charming library books. Mr. Harcourt's grandfather, the Archbishop of York, himself John Evelyn's great-great- gr
PREV.   NEXT  
|<   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225  
226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   >>   >|  



Top keywords:
literature
 

deficient

 

things

 

Evelyn

 

influence

 

Harcourt

 

nineteenth

 

Madame

 

underrates

 
passage

foreseeing

 

personage

 

destined

 

lasting

 

social

 

originality

 

perception

 
beauty
 
poetry
 
century

confused

 

present

 

future

 

accidental

 

proportion

 

prophetic

 

enduring

 

esprit

 
wonderful
 

adventures


brilliant
 
charming
 

library

 
Godolphin
 
reprint
 
termed
 

whirlwind

 

petticoats

 
narrative
 
remarkable

addition
 

However

 

biography

 
movement
 
spirit
 

romantic

 

grandfather

 

criticisms

 

pictures

 

Archbishop