et, certainly like their
culture to repose on a basis of good cookery, and as there is something
to be said for this attitude, I am glad to see that several ladies are
interesting themselves in cookery classes. Mrs. Marshall's brilliant
lectures are, of course, well known, and besides her there is Madame
Lebour-Fawssett, who holds weekly classes in Kensington. Madame Fawssett
is the author of an admirable little book, entitled Economical French
Cookery for Ladies, and I am glad to hear that her lectures are so
successful. I was talking the other day to a lady who works a great deal
at the East End of London, and she told me that no small part of the
permanent misery of the poor is due to their entire ignorance of the
cleanliness and economy necessary for good cooking.

* * * * *

The Popular Ballad Concert Society has been reorganised under the name of
the Popular Musical Union. Its object will be to train the working
classes thoroughly in the enjoyment and performance of music, and to
provide the inhabitants of the crowded districts of the East End with
concerts and oratorios, to be performed as far as possible by trained
members of the working classes; and, though money is urgently required,
it is proposed to make the Society to a certain degree self-supporting by
giving something in the form of high-class concerts in return for
subscriptions and donations. The whole scheme is an excellent one, and I
hope that the readers of the Woman's World will give it their valuable
support. Mrs. Ernest Hart is the secretary, and the treasurer is the
Rev. S. Barnett.

(1) Etudes et Souvenirs. By Madame Ristori. (Paul Ollendorff.)

(2) The New Purgatory and Other Poems. By Elizabeth Rachel Chapman.
(Fisher Unwin.)

(3) Hithersea Mere. By Lady Augusta Noel, Author of Wandering Willie,
From Generation to Generation, etc. (Macmillan and Co.)

(4) Margery Merton's Girlhood. By Alice Corkran. (Blackie and Son.)

(5) Women and Work. By Emily Pfeiffer. (Trubner and Co.)

(6) Treasures of Art and Song. Edited by Robert Ellice Mack. (Griffith
and Farren.)

(7) Rhymes and Roses. Illustrated by Ernest Wilson and St. Clair Simons.
Cape Town Dicky. Illustrated by Alice Havers. The Deserted Pillage.
Illustrated by Charles Gregory and John Hines. (Hildesheimer and
Faulkner.)

THE POETS' CORNER--IV

(Pall Mall Gazette, January 20, 1888.)

A cynical critic once remarked that no great poet is intelligible