h Greek lips can blow, something
to have taught Nausicaa to speak the same language as Perdita.
The Odyssey of Homer. Done into English Verse by William Morris, author
of The Earthly Paradise. In two volumes. Volume I. (Reeves and
Turner.)
For review of Volume II. see Mr. Morris's Completion of the Odyssey, page
215.
A BATCH OF NOVELS
(Pall Mall Gazette, May 2, 1887.)
Of the three great Russian novelists of our time Tourgenieff is by far
the finest artist. He has that spirit of exquisite selection, that
delicate choice of detail, which is the essence of style; his work is
entirely free from any personal intention; and by taking existence at its
most fiery-coloured moments he can distil into a few pages of perfect
prose the moods and passions of many lives.
Count Tolstoi's method is much larger, and his field of vision more
extended. He reminds us sometimes of Paul Veronese, and, like that great
painter, can crowd, without over-crowding, the giant canvas on which he
works. We may not at first gain from his works that artistic unity of
impression which is Tourgenieff's chief charm, but once that we have
mastered the details the whole seems to have the grandeur and the
simplicity of an epic. Dostoieffski differs widely from both his rivals.
He is not so fine an artist as Tourgenieff, for he deals more with the
facts than with the effects of life; nor has he Tolstoi's largeness of
vision and epic dignity; but he has qualities that are distinctively and
absolutely his own, such as a fierce intensity of passion and
concentration of impulse, a power of dealing with the deepest mysteries
of psychology and the most hidden springs of life, and a realism that is
pitiless in its fidelity, and terrible because it is true. Some time ago
we had occasion to draw attention to his marvellous novel Crime and
Punishment, where in the haunt of impurity and vice a harlot and an
assassin meet together to read the story of Dives and Lazarus, and the
outcast girl leads the sinner to make atonement for his sin; nor is the
book entitled Injury and Insult at all inferior to that great
masterpiece. Mean and ordinary though the surroundings of the story may
seem, the heroine Natasha is like one of the noble victims of Greek
tragedy; she is Antigone with the passion of Phaedra, and it is
impossible to approach her without a feeling of awe. Greek also is the
gloom of Nemesis that hangs over each character, only it is a
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