soon losing that privilege. Sir Stephen Forster, who was
Lord Mayor in 1454, had been a prisoner at Ludgate and begged at the
grate, where he was seen by a rich widow who bought his liberty, took
him into her service, and eventually married him. To commemorate this he
enlarged the accommodation for the prisoners and added a chapel. The old
gate was taken down and rebuilt in 1586. That second gate was destroyed
in the Fire of London.

The gate which succeeded and was used, like its predecessors, as a
wretched prison for debtors, was pulled down in 1760, and the prisoners
removed, first to the London workhouse, afterwards to part of the
Giltspur Street Compter.]

[Footnote 2: Sir John Denham's 'Cooper's Hill.']

* * * * *

No. 83. Tuesday, June 5, 1711. Addison.

'... Animum pictura pascit inani.'

Virg.

When the Weather hinders me from taking my Diversions without Doors, I
frequently make a little Party with two or three select Friends, to
visit any thing curious that may be seen under Covert. My principal
Entertainments of this Nature are Pictures, insomuch that when I have
found the Weather set in to be very bad, I have taken a whole Day's
Journey to see a Gallery that is furnished by the Hands of great
Masters. By this means, when the Heavens are filled with Clouds, when
the Earth swims in Rain, and all Nature wears a lowering Countenance, I
withdraw myself from these uncomfortable Scenes into the visionary
Worlds of Art; where I meet with shining Landskips, gilded Triumphs,
beautiful Faces, and all those other Objects that fill the mind with gay
Ideas, and disperse that Gloominess which is apt to hang upon it in
those dark disconsolate Seasons.

I was some Weeks ago in a Course of these Diversions; which had taken
such an entire Possession of my Imagination, that they formed in it a
short Morning's Dream, which I shall communicate to my Reader, rather as
the first Sketch and Outlines of a Vision, than as a finished Piece.

I dreamt that I was admitted into a long spacious Gallery, which had one
Side covered with Pieces of all the Famous Painters who are now living,
and the other with the Works of the greatest Masters that are dead.

On the side of the _Living_, I saw several Persons busy in Drawing,
Colouring, and Designing; on the side of the _Dead_ Painters, I could
not discover more than one Person at Wor