ere lighted up in
several Parts of them; and were so inflamed by the Sun-shine which
accidentally fell upon them, that at first sight I could scarce forbear
crying out, _Fire_.

The five foregoing Artists were the most considerable on this Side the
Gallery; there were indeed several others whom I had not time to look
into. One of them, however, I could not forbear observing, who was very
busie in retouching the finest Pieces, tho' he produced no Originals of
his own. His Pencil aggravated every Feature that was before
over-charged, loaded every Defect, and poisoned every Colour it touched.
Though this workman did so much Mischief on the Side of the Living, he
never turned his Eye towards that of the Dead. His Name was ENVY.

Having taken a cursory View of one Side of the Gallery, I turned my self
to that which was filled by the Works of those great Masters that were
dead; when immediately I fancied my self standing before a Multitude of
Spectators, and thousands of Eyes looking upon me at once; for all
before me appeared so like Men and Women, that I almost forgot they were
Pictures. _Raphael's_ Figures stood in one Row, _Titian's_ in another,
_Guido Rheni's_ in a third. One Part of the Wall was peopled by
_Hannibal Carrache_, another by _Correggio_, and another by _Rubens_. To
be short, there was not a great Master among the Dead who had not
contributed to the Embellishment of this Side of the Gallery. The
Persons that owed their Being to these several Masters, appeared all of
them to be real and alive, and differed among one another only in the
Variety of their Shapes, Complexions, and Cloaths; so that they looked
like different Nations of the same Species.

Observing an old Man (who was the same Person I before mentioned, as the
only Artist that was at work on this Side of the Gallery) creeping up
and down from one Picture to another, and retouching all the fine Pieces
that stood before me, I could not but be very attentive to all his
Motions. I found his Pencil was so very light, that it worked
imperceptibly, and after a thousand Touches, scarce produced any visible
Effect in the Picture on which he was employed. However, as he busied
himself incessantly, and repeated Touch after Touch without Rest or
Intermission, he wore off insensibly every little disagreeable Gloss
that hung upon a Figure. He also added such a beautiful Brown to the
Shades, and Mellowness to the Colours, that he made every Picture appear
more