quae non formidat acumen.

Hor.

I have seen in the Works of a Modern Philosopher, a Map of the Spots in
the Sun. My last Paper of the Faults and Blemishes in Milton's Paradise
Lost, may be considered as a Piece of the same Nature. To pursue the
Allusion: As it is observed, that among the bright Parts of the Luminous
Body above mentioned, there are some which glow more intensely, and dart
a stronger Light than others; so, notwithstanding I have already shewn
Milton's Poem to be very beautiful in general, I shall now proceed to
take Notice of such Beauties as appear to me more exquisite than the
rest. Milton has proposed the Subject of his Poem in the following
Verses.

Of Man's first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought Death into the World and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blisful Seat,
Sing Heavenly Muse--

These Lines are perhaps as plain, simple and unadorned as any of the
whole Poem, in which Particular the Author has conformed himself to the
Example of Homer and the Precept of Horace.

His Invocation to a Work which turns in a great measure upon the
Creation of the World, is very properly made to the Muse who inspired
Moses in those Books from whence our Author drew his Subject, and to the
Holy Spirit who is therein represented as operating after a particular
manner in the first Production of Nature. This whole Exordium rises very
happily into noble Language and Sentiment, as I think the Transition to
the Fable is exquisitely beautiful and natural.

The Nine Days Astonishment, in which the Angels lay entranced after
their dreadful Overthrow and Fall from Heaven, before they could recover
either the use of Thought or Speech, is a noble Circumstance, and very
finely imagined. The Division of Hell into Seas of Fire, and into firm
Ground impregnated with the same furious Element, with that particular
Circumstance of the Exclusion of Hope from those Infernal Regions, are
Instances of the same great and fruitful Invention.

The Thoughts in the first Speech and Description of Satan, who is one of
the Principal Actors in this Poem, are wonderfully proper to give us a
full Idea of him. His Pride, Envy and Revenge, Obstinacy, Despair and
Impenitence, are all of them very artfully interwoven. In short, his
first Speech is a Complication of all those Passions which discover
themselves separately in several o