ue
among Modern Poets, cannot relish these Beauties which are of a much
higher Nature, and are therefore apt to censure Milton's Comparisons in
which they do not see any surprizing Points of Likeness. Monsieur
Perrault was a Man of this viciated Relish, and for that very Reason has
endeavoured to turn into Ridicule several of Homers Similitudes, which
he calls Comparisons a longue queue, Long-tail's Comparisons. [3] I
shall conclude this Paper on the First Book of Milton with the Answer
which Monsieur Boileau makes to Perrault on this Occasion;

Comparisons, says he, in Odes and Epic Poems, are not introduced only
to illustrate and embellish the Discourse, but to amuse and relax the
Mind of the Reader, by frequently disengaging him from too painful an
Attention to the Principal Subject, and by leading him into other
agreeable Images. Homer, says he, excelled in this Particular, whose
Comparisons abound with such Images of Nature as are proper to relieve
and diversifie his Subjects. He continually instructs the Reader, and
makes him take notice, even in Objects which are every Day before our
Eyes, of such Circumstances as we should not otherwise have observed.

To this he adds, as a Maxim universally acknowledged,

That it is not necessary in Poetry for the Points of the Comparison
to correspond with one another exactly, but that a general Resemblance
is sufficient, and that too much Nicety in this Particular favours of
the Rhetorician and Epigrammatist.

In short, if we look into the Conduct of Homer, Virgil and Milton, as
the great Fable is the Soul of each Poem, so to give their Works an
agreeable Variety, their Episodes are so many short Fables, and their
Similes so many short Episodes; to which you may add, if you please,
that their Metaphors are so many short Similes. If the Reader considers
the Comparisons in the first Book of Milton, of the Sun in an Eclipse,
of the Sleeping Leviathan, of the Bees swarming about their Hive, of the
Fairy Dance, in the view wherein I have here placed them, he will easily
discover the great Beauties that are in each of those Passages.

L.

[Footnote 1: [his]]

[Footnote 2: A journey from Aleppo to Jerusalem at Easter, A.D. 1697. By
Henry Maundrell, M.A. It was published at Oxford in 1703, and was in a
new edition in 1707. It reached a seventh edition in 1749. Maundrell was
a Fellow of Exter College, which he left to take the appointment of
cha