I have now considered Milton's Paradise Lost under those four great
Heads of the Fable, the Characters, the Sentiments, and the Language;
and have shewn that he excels, in general, under each of these Heads. I
hope that I have made several Discoveries which may appear new, even to
those who are versed in Critical Learning. Were I indeed to chuse my
Readers, by whose Judgment I would stand or fall, they should not be
such as are acquainted only with the French and Italian Criticks, but
also with the Ancient and Moderns who have written in either of the
learned Languages. Above all, I would have them well versed in the Greek
and Latin Poets, without which a Man very often fancies that he
understands a Critick, when in Reality he does not comprehend his
Meaning.

It is in Criticism, as in all other Sciences and Speculations; one who
brings with him any implicit Notions and Observations which he has made
in his reading of the Poets, will find his own Reflections methodized
and explained, and perhaps several little Hints that had passed in his
Mind, perfected and improved in the Works of a good Critick; whereas one
who has not these previous Lights is very often an utter Stranger to
what he reads, and apt to put a wrong Interpretation upon it.

Nor is it sufficient, that a Man who sets up for a Judge in Criticism,
should have perused the Authors above mentioned, unless he has also a
clear and Logical Head. Without this Talent he is perpetually puzzled
and perplexed amidst his own Blunders, mistakes the Sense of those he
would confute, or if he chances to think right, does not know how to
convey his Thoughts to another with Clearness and Perspicuity.
Aristotle, who was the best Critick, was also one of the best Logicians
that ever appeared in the World.

Mr. Locks Essay on Human Understanding [1] would be thought a very odd
Book for a Man to make himself Master of, who would get a Reputation by
Critical Writings; though at the same time it is very certain, that an
Author who has not learned the Art of distinguishing between Words and
Things, and of ranging his Thoughts, and setting them in proper Lights,
whatever Notions he may have, will lose himself in Confusion and
Obscurity. I might further observe, that there is not a Greek or Latin
Critick who has not shewn, even in the Style of his Criticisms, that he
was a Master of all the Elegance and Delicacy of his Native Tongue.

The Truth of it is, there is nothing more a