et Libertati'; and he returned quietly home to compose a chapter
for his next edition on inconveniences of Greatness.

The author of the Essays was now fifty-five. The malady which tormented
him grew only worse and worse with years; and yet he occupied himself
continually with reading, meditating, and composition. He employed the
years 1589, 1590, and 1591 in making fresh additions to his book; and
even in the approaches of old age he might fairly anticipate many happy
hours, when he was attacked by quinsy, depriving him of the power
utterance. Pasquier, who has left us some details his last hours,
narrates that he remained three days in full possession of his faculties,
but unable to speak, so that, in order to make known his desires, he was
obliged to resort to writing; and as he felt his end drawing near, he
begged his wife to summon certain of the gentlemen who lived in the
neighbourhood to bid them a last farewell. When they had arrived, he
caused mass to be celebrated in apartment; and just as the priest was
elevating the host, Montaigne fell forward with his arms extended in
front of him, on the bed, and so expired. He was in his sixtieth year.
It was the 13th September 1592.

Montaigne was buried near his own house; but a few years after his
decease, his remains were removed to the church of a Commandery of St.
Antoine at Bordeaux, where they still continue. His monument was
restored in 1803 by a descendant. It was seen about 1858 by an English
traveller (Mr. St. John).'--["Montaigne the Essayist," by Bayle St.
John, 1858, 2 vols. 8vo, is one of most delightful books of the kind.]--
and was then in good preservation.

In 1595 Mademoiselle de Gournay published a new edition of Montaigne's
Essays, and the first with the latest emendations of the author, from a
copy presented to her by his widow, and which has not been recovered,
although it is known to have been in existence some years after the date
of the impression, made on its authority.

Coldly as Montaigne's literary productions appear to have been received
by the generation immediately succeeding his own age, his genius grew
into just appreciation in the seventeenth century, when such great
spirits arose as La Bruyere, Moliere, La Fontaine, Madame de Sevigne.
"O," exclaimed the Chatelaine des Rochers, "what capital company he is,
the dear man! he is my old friend; and just for the reason that he is
so, he always seems new. My God! how full i