w me to tell the truth. As
for the thirty sequins which he intends to give me, I will not accept
even one of them, and he would deeply grieve me by pressing them upon me.
The moment we reach Parma I wish him to allow me to lodge wherever I may
please, to make no enquiries whatever about me, and, in case he should
happen to meet me, to crown his great kindness to me by not appearing to
have ever known me."
As she uttered the last words of this short speech, which she had
delivered very seriously and with a mixture of modesty and resolution,
she kissed her elderly friend in a manner which indicated esteem and
gratitude rather than love. The captain, who did not know why she was
kissing him, was deeply grieved when I translated what Henriette had
said. He begged me to tell her that, if he was to obey her with an easy
conscience, he must know whether she would have everything she required
in Parma.
"You can assure him," she answered, "that he need not entertain any
anxiety about me."
This conversation had made us all very sad; we remained for a long time
thoughtful and silent, until, feeling the situation to be painful, I
rose, wishing them good night, and I saw that Henriette's face wore a
look of great excitement.
As soon as I found myself alone in my room, deeply moved by conflicting
feelings of love, surprise, and uncertainty, I began to give vent to my
feelings in a kind of soliloquy, as I always do when I am strongly
excited by anything; thinking is not, in those cases, enough for me; I
must speak aloud, and I throw so much action, so much animation into
these monologues that I forget I am alone. What I knew now of Henriette
had upset me altogether.
"Who can she be," I said, speaking to the walls; "this girl who seems to
have the most elevated feelings under the veil of the most cynical
libertinism? She says that in Parma she wishes to remain perfectly
unknown, her own mistress, and I cannot, of course, flatter myself that
she will not place me under the same restrictions as the captain to whom
she has already abandoned herself. Goodbye to my expectations, to my
money, and my illusions! But who is she--what is she? She must have
either a lover or a husband in Parma, or she must belong to a respectable
family; or, perhaps, thanks to a boundless love for debauchery and to her
confidence in her own charms, she intends to set fortune, misery, and
degradation at defiance, and to try to enslave some wealthy noble
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