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to Parma, although I must beg of you not to see me in that city.' Confess that you cannot, in all fairness, give me such an answer; am I not right?" "Certainly, if you truly love me." "Good God! if I love you? Oh, yes! believe me, my love is immense, sincere! Now, decide my fate." "What! always the same song?" "Yes." "But are you aware that you look very angry?" "No, for it is not so. I am only in a state of uncontrollable excitement, in one of the decisive hours of my life, a prey to the most fearful anxiety. I ought to curse my whimsical destiny and the 'sbirri' of Cesena (may God curse them, too!), for, without them, I should never have known you." "Are you, then, so very sorry to have made my acquaintance?" "Have I not some reason to be so?" "No, for I have not given you my decision yet." "Now I breathe more freely, for I am sure you will tell me to accompany you to Parma." "Yes, come to Parma." MEMOIRS OF JACQUES CASANOVA de SEINGALT 1725-1798 [Illustration: Cover2] [Illustration: Title2] TO PARIS AND PRISON EPISODE 6 -- PARIS CHAPTER I Leave Bologna a Happy Man--The Captain Parts from Us in Reggio, where I Spend a Delightful Night with Henriette--Our Arrival in Parma--Henriette Resumes the Costume of a Woman; Our Mutual Felicity--I Meet Some Relatives of Mine, but Do not Discover Myself The reader can easily guess that there was a change as sudden as a transformation in a pantomime, and that the short but magic sentence, "Come to Parma," proved a very fortunate catastrophe, thanks to which I rapidly changed, passing from the tragic to the gentle mood, from the serious to the tender tone. Sooth to say, I fell at her feet, and lovingly pressing her knees I kissed them repeatedly with raptures of gratitude. No more 'furore', no more bitter words; they do not suit the sweetest of all human feelings! Loving, docile, grateful, I swear never to beg for any favour, not even to kiss her hand, until I have shewn myself worthy of her precious love! The heavenly creature, delighted to see me pass so rapidly from despair to the most lively tenderness, tells me, with a voice the tone of which breathes of love, to get up from my knees. "I am sure that you love me," says she, "and be quite certain that I shall leave nothing undone to secure the constancy of your feelings." Even if she had said that she loved me as much as I ad
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