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l her if she let um go." "Poor creature!" said Murray, wrinkling up his brow. "Yes, sah; berry poor creature, sah. Caesar berry sorry. Massa Allen good massa, and Caesar lub um." "But where is he now? Not dead?" "Yes, massa been die berry much all um time. Couldn't quite go die till poor Caesar come, and den he shake hand. Say `Good-bye, Caesar, lad. Tell Massa Murray Frank. Tell um t'ink de bes' ob a poor weak man.'" "Mr Allen said that, Caesar?" said Murray. "Yes, sah. Caesar cry bofe eyes. Tullus cry and slabe woman cry when we put um in de groun' fas' asleep. Everybody lub poor Massa Allen, sah. Gone dead. Say go to sleep happy now. No more slabe trade now. No more poor niggah leap overboard now Massa Murray Frank and Bri'sh sailor come." "Well, Mr Murray," said the captain, about an hour later, "I hope you are ready to return to your duties." "Yes, sir, certainly," said the lad, staring. "I'm glad of it. And, by the way, this is a very favourable opportunity for saying a few words in season to you. Let me tell you that I am not at all satisfied with the way in which your duties have been carried out, any more, I may say, than I have been with the way in which I have been served by your brother officers. I look for something better in the future, sir, something decidedly better in the future, I may say;" and he stalked aft and went below. "Did you hear what Captain Kingsberry said, sir?" said Murray to the chief officer, who just then came limping up with his spy-glass beneath his feeble arm. "Yes, Murray, every word. My dear boy, it is a way he has. There, there, my lad, I think amongst us we've given the slave-trade its heaviest blow." THE END. End of Project Gutenberg's Hunting the Skipper, by George Manville Fenn *** END OF THIS PROJECT GUTENBERG EBOOK HUNTING THE SKIPPER *** ***** This file should be named 27907.txt or 27907.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/9/0/27907/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set fort
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