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the subterranean forces at work in the kingdom of the Two Sicilies, in the States of the Church, and in truth all over the Peninsula. The protracted struggle that had begun after the establishment of Austrian domination in the Peninsula in 1815, and was at last to end in the construction of an Italian kingdom--the most wonderful political transformation of the century--seemed after the fatal crisis of Novara (1849) further than ever from a close. Now was the morrow of the vast failures and disenchantments of 1848. Jesuits and absolutists were once more masters, and reaction again alternated with conspiracy, risings, desperate carbonari plots. Mazzini, four years older than Mr. Gladstone, and Cavour, a year his junior, were directing in widely different ways, the one the revolutionary movement of Young Italy, the other the constitutional movement of the Italian Resurrection. The scene presented brutal repression on the one hand; on the other a chaos of republicans and monarchists, unitarians and federalists, frenzied idealists and sedate economists, wild ultras and men of the sober middle course. In the midst was the pope, the august shadow, not long before the centre, now once again the foe, of his countrymen's aspirations after freedom and a purer glimpse of the lights of the sun. The evolution of this extraordinary historic drama, to which passion, genius, hope, contrivance, stratagem, and force contributed alike the highest and the lowest elements in human nature and the growth of states, was to be one of the most sincere of Mr. Gladstone's interests for the rest of his life. SPECTACLE OF MISRULE As we shall see, he was at first and he long remained untouched by the idea of Italian unity and Italy a nation. He met some thirty or more Italian gentlemen in society at Naples, of whom seven or eight only were in any sense liberals, and not one of them a republican. It was now that he made the acquaintance of Lacaita, afterwards so valued a friend of his, and so well known in many circles in England for his geniality, cultivation, and enlightenment. He was the legal adviser to the British embassy; he met Mr. Gladstone constantly; they talked politics and literature day and night, 'under the acacias and palms, between the fountains and statues of the Villa Reale, looking now to the sea, now to the world of fashion in the Corso.' Here Lacaita first opened the traveller's eyes to the condition of t
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