FREE BOOKS

Author's List




PREV.   NEXT  
|<   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263  
264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   >>   >|  
[Illustration: FIG. 658. ROUNDED CORNERS ON NETTING.] [Illustration: FIG. 659. LINEN STITCH SET WITH DARNING STITCH.] [Illustration: FIG. 660. LINEN STITCH SET WITH CORD STITCH.] ROUNDED CORNERS OF NETTING (fig. 658).--Darning stitches, made over a thread carried diagonally across one square and the adjacent corners of that and two other squares, produce the figure illustrated in fig. 658. The accompanying detail shows the mode of working. The number of stitches depends on the material you use; there should be no more than can lie quite flat, side by side, on the diagonal thread. LINEN STITCH, SET WITH DARNING STITCH (fig. 659).--There are some patterns it would hardly be possible to work on netting unless you could soften the outlines by darning stitches, as shown in the foregoing figure. When employed as a setting to linen stitch, there should be fewer than in fig. 658; you may also, instead of interrupting them at every corner, carry them all round a square, (see the right detail of the figure). LINEN STITCH SET WITH CORD STITCH (fig. 660).--Many figures are also either corded or edged with twisted thread; both ways are represented in the illustration. In the latter case you can use the same thread as for the linen stitch, or if you wish the setting to be very pronounced, a thicker one. For instance, if the netting be made of Cordonnet 6 fils D.M.C No. 25[A] we recommend Fil a pointer D.M.C No. 15 or 20[A] for the setting. This difference of material is especially noticeable in the old Cluny Guipure, where the figures worked in linen stitch are edged with a thread like a cord. But if the linen stitch be bound with cord stitch, the same thread must be used for it, as for the foundation. A soft material, like Coton a repriser, makes the best padding for the overcasting stitches. [Illustration: FIG. 661. FLOWER IN DOT STITCH ON A FOUNDATION OF LINEN STITCH.] FLOWER IN DOT STITCH ON A FOUNDATION OF LINEN STITCH (fig. 661).--With the help of this stitch, which is described in the chapter on white embroidery and represented in fig. 179, a great variety of little supplementary ornaments can be made, on every description of netted ground. [Illustration: FIG. 662. BORDERING IN BUTTONHOLE STITCH.] BORDERING IN BUTTONHOLE STITCH (fig. 662).--Scalloped edges in netting should be buttonholed; 2 or 3 padding threads should be run in first, following the bars of the netting, over which the buttonholing is d
PREV.   NEXT  
|<   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263  
264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   >>   >|  



Top keywords:

STITCH

 

thread

 

stitch

 

Illustration

 
netting
 

stitches

 

material

 

figure

 
setting
 

FLOWER


represented
 
figures
 

padding

 

FOUNDATION

 

DARNING

 

square

 

BUTTONHOLE

 

detail

 

CORNERS

 

ROUNDED


NETTING
 

BORDERING

 

worked

 

noticeable

 

recommend

 

difference

 
pointer
 
Guipure
 

Scalloped

 
buttonholed

ground

 

netted

 
ornaments
 

description

 

buttonholing

 
threads
 
supplementary
 

overcasting

 

repriser

 

variety


embroidery

 

chapter

 

foundation

 
diagonal
 

patterns

 
soften
 

depends

 

number

 

adjacent

 
corners