FREE BOOKS

Author's List




PREV.   NEXT  
|<   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309  
310   311   312   313   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   >>   >|  
rnately, the change from one to the other is distinctly marked in the engraving. The outside edge consists of light scallops, formed by the regular increase and decrease of the stitches. The original piece of work from which our drawing was taken, forms the border of a dark blue plush carpet; the red and ecru hues of the lace harmonize exceedingly well with the soft colour of the plush. [Illustration: FIG. 813. LACE AND INSERTION IN KNOTTED STITCH. MATERIALS: Fil a pointer D.M.C Nos. 10 to 30, Cordonnet 6 fils D.M.C Nos. 10 to 25, or Fil a dentelle D.M.C Nos. 25 to 50. COLOURS: Ecru and Rouge-Cardinal 46.[A]] INSERTION IN KNOTTED STITCH (figs. 814 and 815).--This kind of work, similarly composed of knotted stitches, can be used instead of crochet insertion or single and cut openwork in linen. It looks exceedingly well as a trimming for bed and table linen and is executed on foundation threads or cords, which connect the different figures together, with closely connected rows of knots between. [Illustration: FIG. 814. INSERTION IN KNOTTED STITCH. MATERIALS: Fil a pointer D.M.C No. 30, Cordonnet 6 fils D.M.C Nos. 15 to 30, or Fil a dentelle D.M.C Nos. 25 to 50.[A]] [Illustration: FIG. 815. WORKING DETAIL OF FIG. 814.] INSERTION IN KNOTTED STITCH (figs. 816 and 817).--The mode of making the insertion in knotted stitch, which is represented in the two accompanying engravings, is supposed to be of Italian origin, but we have met with quite as perfect specimens of work done in the same way, which were the products of Persia and Asia Minor. We have called it by the same name as the preceding patterns, for even the way in which the stitch is worked is almost the same. Through some slight difference however in the interlacing of the threads, shown by the open loops in fig. 817, the stitches lie closer together and are alike on both sides of the work. [Illustration: FIG. 816. INSERTION IN KNOTTED STITCH. MATERIALS: The same as for fig. 814.[A]] [Illustration: FIG. 817. WORKING DETAIL OF FIG. 816.] No difficulty will be found in making out the course of the rows; it is best to begin by the two rows of stitches that form the perpendicular bars and make the stitches, that compose the 4 staves between the bars next. For the little picots see fig. 700. [Illustration: FIG. 818. LACE IN KNOTTED STITCH. MATERIALS: Cordonnet 6 fils D.M.C Nos. 10 to 25 or Fil a dentelle D.M.C Nos. 25 to 50.[A]] [Illustration: FIG.
PREV.   NEXT  
|<   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309  
310   311   312   313   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   >>   >|  



Top keywords:

Illustration

 
STITCH
 
KNOTTED
 

stitches

 
INSERTION
 
MATERIALS
 

dentelle

 

Cordonnet

 

pointer

 

knotted


threads

 

insertion

 
exceedingly
 

stitch

 
making
 

WORKING

 

DETAIL

 
picots
 

compose

 

Persia


products

 

staves

 

supposed

 

engravings

 

accompanying

 
Italian
 

origin

 

perfect

 
specimens
 

preceding


difficulty

 

represented

 

slight

 

interlacing

 
difference
 

closer

 

perpendicular

 

worked

 

patterns

 
called

Through
 
openwork
 

border

 

drawing

 

harmonize

 

carpet

 

original

 

decrease

 
distinctly
 

marked